of the reward of fresh pleasure of the eyes that will
accompany every casting off of the follies which
still beset us*
But to/day I will not say much of those things
which the eyes bid us hate, all the more as this is
a festive occasion, and as also one ought to have
more to say on the things which the eyes bid us to
love, and which are less understood than the hor/
rors above/said* Of these things which we of the
present day ought especially to turn our eyes to for
pleasure, there are, I take it, two kinds: the beau/
ties of Nature, & the beauties of Art* Of the first,
considered purely by themselves, I will say little:
mainly this, that our fault in respect of regarding
these is that for the most part we refuse to pay at/
tention to anything in Nature which is not tre/
mendous and exciting; it must bean Alpinepass,
or a rocky sea shore, or the richness Sc luxury of an
Italian landscape, or at the least a piece of mourn
tain in Scotland or Wales: less than that will
scarcely draw our eyes to beholding* Now, who
would not be moved at such scenes as these ? Yet,
I must tell you that, if you can get no pleasure out
of the sight of a Warwickshire meadow, or the
hedgerows and little waving hills of my native
Essex, or the flat fields and limestone banks of
my adopted Oxfordshire/Berkshire land, I say,
if these be nothing to you I doubt your capacity
for really seeing the huge Swiss mountain and
valley scenery, or the flank of the Apennine, or
9
Birming/
ham School
of Art, 1894*
accompany every casting off of the follies which
still beset us*
But to/day I will not say much of those things
which the eyes bid us hate, all the more as this is
a festive occasion, and as also one ought to have
more to say on the things which the eyes bid us to
love, and which are less understood than the hor/
rors above/said* Of these things which we of the
present day ought especially to turn our eyes to for
pleasure, there are, I take it, two kinds: the beau/
ties of Nature, & the beauties of Art* Of the first,
considered purely by themselves, I will say little:
mainly this, that our fault in respect of regarding
these is that for the most part we refuse to pay at/
tention to anything in Nature which is not tre/
mendous and exciting; it must bean Alpinepass,
or a rocky sea shore, or the richness Sc luxury of an
Italian landscape, or at the least a piece of mourn
tain in Scotland or Wales: less than that will
scarcely draw our eyes to beholding* Now, who
would not be moved at such scenes as these ? Yet,
I must tell you that, if you can get no pleasure out
of the sight of a Warwickshire meadow, or the
hedgerows and little waving hills of my native
Essex, or the flat fields and limestone banks of
my adopted Oxfordshire/Berkshire land, I say,
if these be nothing to you I doubt your capacity
for really seeing the huge Swiss mountain and
valley scenery, or the flank of the Apennine, or
9
Birming/
ham School
of Art, 1894*