Murray, A. S.; British Museum <London> [Hrsg.]
Greek and Etruscan terracotta sarcophagi in the British Museum
— London, 1898
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Sarcophagus from Clazomenae
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SARCOPHAGUS FROM CLAZOMEN^.
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us an elaborate account of the work of the divine artificer, Hephsestos. From these
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the sarcophagus from Clazomenae recently acquired by the British Museum. The
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these two passages as taken from Polemo.
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the Cimmerians from Asia Minor and invaded
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swords, and sweeping-across the field from one end to the other. It may be thought
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the reliefs on our large terra-cotta sarcophagus from Caere one of the warriors is
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to indicate the tomb from which the race started, while the shield would be that of
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Darius rise from his tomb at the offerings and hymns of Atossa and her friends.
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from some source other than the Iliad, and in any case it does not necessarily follow
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away from the centre. Whatever the explanation of that figure may ultimately be,
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a female. But on our well-known kylix from Naucratis,4 figures, otherwise identical
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These cannot all be " spirits from the vasty deep," even though the contest took place
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sarcophagi from Clazomenae two types of helmet had been previously remarked on. The
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which occur on our fragmentary vases from
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the same on one of our fragmentary vases from Defenneh.3 The cuirass is in use, as
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this head-gear does not alone absolutely differentiate them from certain tribes which we
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Pis. II.-III. These figures wear a close-fitting cap, which, from its being painted
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from it to our disc would not be great. Perrot and
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seen from one point of view, and thus seem to indicate the head and the foot of the
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Sphinxes on the pottery from Naucratis, and on objects in gold and ivory from the
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2 Compare the gold ornament from Cyprus in
Sarcophagus from Cameiros
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SARCOPHAGUS FROM CAMEIROS.
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It is known that a series of gold ornaments acquired by the Museum in 1861 from
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(b.c. 666-612). In addition to this express statement there is a letter from Mr. Vice-
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the sun-god, with a nimbus round the head. These pendants are in quite a different style from the
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On the other hand, it appears from a consular note of Sir Charles Newton, of
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lines. This class of vases we have never seen except from Italy, where they are
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which he refers could be regarded as having come from older tombs, the vases of
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we find that on the site called Papas Loures by Biliotti, the results derived from the
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(6) Rosettes of pale gold. From these circumstances it is reasonable to conclude that the
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characteristic of this sarcophagus, has of late years attracted much attention from
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both these methods (2 and 3) are combined on a sarcophagus from Clazomenae, which
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may perhaps assume that it had been derived from painting on a large scale. In
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from Naucratis in the Brit. Mus. (A. 957), which
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of painting derived from Asia Minor.1
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vase from Ialysos (of the Mycenae style), the figure is filled in with black, while the
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is believed that this change was due to an impulse derived from the importation or
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vases we have referred to from Cameiros,6 Naucratis,7 and Daphnae.8 In the
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3 Cuttle-fish from Ialysos in Furtwaengler and
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feature backward in point of time, we meet it again on the gold ornaments from Enkomi,
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a doorway, and that this was meant for the portal of Hades is now evident from a
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extended to the lower part of their legs, as in the vases referred to from Cameiros and
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in question, and only differ from the vases in the more strictly heraldic grouping of the
Sarcophagus from Caere
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SARCOPHAGUS FROM CAERE.
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has been simply abstracted from one of those scenes of funeral banquets; but the
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was derived from the older conception of a similar group in relief or in painting, we
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or potter's earth, from which the moisture would be extracted by a preliminary firing.
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art, the bronze bust from the Polledrara tomb in the British Museum (b.c. 666-612),
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cotta, in particular the difficulty of translating from relief into the round, we are
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traditional lines. We see that it is a mask from the artificial rendering of the hair over
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a limited range of compositions. Its method of repeating figures and groups from
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vases and other examples of artistic luxury, which had obviously been imported from
Plate I - XI
Plate 1
SARCOPHAGUS FROM CLAZOMENAE
Plate 2
SARCOPHAGUS FROM CLAZOMENAL
Plate 6
SARCOPHAGUS FROM CLAZOMENAE
PL!
SARCOPHAGUS FROM CLAZOMENAE
COVER-
SARCOPHAGUS FROM CLAZOMENAE
COVER-