Ottley, William Young: An inquiry into the origin and early history of engraving: upon copper and in wood ; with an account of engravers and their works, from the invention of chalcography by Maso Finiguerra to the time of Marc Antonio Raimondi (Band 1) (London, 1816) [Cicognara, 266A]

SPECULUM HUMANAE SALVATIONTS. [chap. nr.

portrayed in the figure of Nathan, in the right hand compartment.
The figure of David is very inferior, although not without expression.

Cap. XV.

29. Christ's Entry into Jerusalem, Jeremiah upon a Toiver, lamenting

the Fate of Jerusalem.
Cristus flevit super civitatem jhe- Jeremias lamentabatur super jhe-
rusalem.

30. The Triumph of David.
David susceptus est cum laudibus.

rusalem.

Heliodorus beaten ivith Rods.
Helyodorus flagellabatur.

Cap. XVI.

31. The Last Supper.

Cristus manducat pascha cum dis-
cipulis suis.

The Israelites gathering' Manna in

the Wilderness.
Manna datur filiis israel in deserto.

Christ and the twelve apostles, in the compartment to the left,
are seated on stools around a circular table. Judas is distinguished
from the rest by having no diadem or glory round his head.
The artist has committed a lamentable error of perspective—the
nearest figures in the piece being represented of the smallest
dimensions.

32. The Jews eating the Paschal Melchisedec meeting Abraham.

Lamb.

Judei manducaverunt agnum pas- Melchisedech obtulit Abrahepanem
chalem. et vinum.

Cap, XVII.

33. The Soldiers, sent to take Christ
in the Garden, struck to the Ground
at his Word.

Cristus prostravit hostes suos unico
verbo.

Sampson killing a Thousand Phi-
listines with the Jaw-bone of an
Ass.

Sampson prostravit mille cum man-
dibla azini.