Ottley, William Young: An inquiry into the origin and early history of engraving: upon copper and in wood ; with an account of engravers and their works, from the invention of chalcography by Maso Finiguerra to the time of Marc Antonio Raimondi (Band 2) (London, 1816) [Cicognara, 266B]

chap, ix.] MARC ANTONIO RAIMONDI.

815

ad • s • io • lat. The statue, in the time of Marc' Antonio, had not
yet been removed from the church of S. Gio. Laterano to the capital.
h. 8, l-4th: w. 5, 5-8ths. (B. 514.)

275—286. The Busts of the twelve Ccesars, represented in profile, in
the form of medallions. The plates measure (including margin)
h. 7: w. 6, l-8th. The first impressions are without the numbers.—

I. Julius Ccesar: divo iVLio.—2. Augustus: caesar divi f.—3. Ti-
berius: ti caesar divi avg f avgvstvs imp. viii.—4. Claudius; ti
clavdivs caesar avg p m tri p imp.—5. Nero: nero claud caesar
avg ger p m trp.—6. Galba : ser galba imp caes avg.—7. OtllO :
imp otho caesar avg trp.—8. Vitellius: vitellius. german imp
avg p m tp p.—9. Vespasian; t caes vespasian imp pon tr pot cos

ii. —10. TitUS: imp. t. caes. vesp avg p m tr p pp cos. viii.—11.

Domitian: imp. caes domitian avg germ cos. xi.—12. Nerva: imp.
caes nervae traiano avg ger dao p m tr p cosv pp. (B. 501 —

512.)

287. The Emperor Constantine the Great; represented on horse-
back, in the form of a medallion : constantinvs ■ in • xpo ■ deo •■

fidelis ' imperator ' et " moderator ' romanorvm * et • senper ■ av-
gvstvs. A circle, 3, 3-8ths diameter. Marc' Antonio is supposed
to have engraved this piece before he left Bologna. (B. 495.)

288. The Portrait of Pope Leo the Tenth. A bust, seen in profile,
in the form of a medallion : leo ■ x ■ pont ■ max. Very delicately
engraved. The space above, and below the medallion, is covered
with hatchings, h. 3, 3-8ths : *. 2. (B. 493.)

289. The Portrait of Pope Adrian the Sixth; the companion to the
last: adrianvs sext. p. max. Same dimensions. (B. 494.)

290. The Emperor Charles the Fifth, when young, represented in the
form of a medallion. His bust is seen in profile, and turned towards
the right: carolo caes avg ger isp imp pr. h. and w. 5, 3-4ths.
(B. 497.)

291. The Portrait of Octavius Farnese, Duke ofUrbino, in the form
of a medallion. A bust, seen in profile, and turned towards the
left: octavivs • fran ' dvx ' vrbi ■ praef. Bartsch appears to have