SEC. XII
OF ANCIENT ATHENS
291
we conceive the action as taking place elsewhere than on the
orchestra itself; the actors freely mingling with the chorus but
FIG. 31.—DIONYSIAC ALTAR.
distinguished by their superior height, hence the cothurnus. Any
one who has watched the modern restoration of a Greek play has,
if he is honest, been conscious of a sense of extreme discomfort.
OF ANCIENT ATHENS
291
we conceive the action as taking place elsewhere than on the
orchestra itself; the actors freely mingling with the chorus but
FIG. 31.—DIONYSIAC ALTAR.
distinguished by their superior height, hence the cothurnus. Any
one who has watched the modern restoration of a Greek play has,
if he is honest, been conscious of a sense of extreme discomfort.