DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.8577#0297
CATALOGUE OF TRANSITIONAL VASES
277
yellow tongues and scales). Three friezes. 1, lions,
bulls, stags, goats, panther, swan between sphinxes.
2, 3, coursing hounds and hare. Dot-rosettes.
OINOCHOAI WITH TREFOIL MOUTH AND
SMALL FOOT
Continuation of the style of nos. 31-5. F.o. dot-
rosettes.
Vatican 68 (Albizzati pi. 5). Shoulder black-
polychrome (tongues and scales). Two friezes:
lions, lioness, panthers, goats, bulls, sphinxes, boar,
stag, eagle, water-bird. By the painter of Vatican
73 (nos. 144-52 infra), cf. next. Louvre E 419,
from Italy. Detail, PI. 16, 4. Patterns as before;
animals almost all as before. By the same as the last.
Vatican 67 (Albizzati pi. 4). Patterns as before;
animals: lions, goats, stags, birds, bull. From
Narce (Mon. Ant. iv, 272 fig. 130). Apparently a
vase of this group, but the publication is inadequate.
122, 3 Munich 234 (S.H. pi. 7). Louvre E 347, from
Caere (Pottier pi. 40). Both with black-polychrome
decoration; late Transitional shapes.
Rougher style, like that of the olpai nos. 184-6,
with less elaborate patterns. F.o. as before (except
in 127).
Chicago, Art Institute (Photo C 5608). Four
friezes: various animals; in the lowest friezes,
coursing hounds. British Museum A 1007. On
shoulder, red and black tongues. Two friezes: lions,
bulls, boar, goats, flying eagle, swan. Berlin 1116,
from Vulci. Shoulder as last. One frieze: lions,
stags, goats, swan. Athens 12719, from Rhodes.
Three friezes of animals. F.o. circles and small
A.
118
119
120
121
B.
124
125
126
127
C.
128
129
130
I3O A
131
crosses.
Various oinochoai, mostly late.
Louvre A 437, from Camirus (Pottier pi. 14). On
shoulder, double incised lines. Lions, bull, goat,
swan, horseman. F.o. dotted circles and zigzags.
Cited as a parallel to one in Dresden (A. Anz. 1925,
99 no. 10). Paris, Cab. Med., from Caere (C.V.A.
pi. 8,12 and pi. 9,1). Four friezes: lions,bulls,boars,
&c; no panthers. F.o. as in no. 127. Vatican 66.
PI. 13, 4 (Albizzati pi. 4). Lions, panthers, bulls,
sphinxes, goat, eagle, hare, hounds chasing hare.
Late shape and heavy animals, very like early Corin-
thian (cf. no. 140). Louvre E 420. PI. 13,2. Shoulder
as in no. 128. One frieze: lions, goat, panther, bull,
boar, siren. Some animals elongated, as in Corin-
thian; late. Athens, from the Argive Heraeum
(A.H. ii, pi. 59, 25 a-c). Fragments of an unusual
vase. The principal piece shows part of a man run-
ning : he wears a wolf-skin (?); his flesh was painted
either white or yellow on black, not red as implied by
Hoppin, /. c. The greater part of the contour incised.
The fragments are interesting owing to the rarity of
human figures on such vases. Fine technique:
late Protocorinthian or Transitional. Ibid., same
source {op. cit. pi. 61, 12). Frag, with head of ram
and foot of feline. F.o. dotted circle. Late. Corinth.
Frag, with part of goat and foot of feline. Fine
technique. Aegina G. 18; G. 69; G 136, and many
others, among which G. 88 should be mentioned as
it is by the Sphinx painter and illustrates the transi-
tion from his dot-rosette to his incised-rosette style
(see p. 31, note 1).
BROAD-BOTTOMED OINOCHOAI
New York 22, 139. PI. 13,1 (Bulletin 1923, 177).
Late. Corinth. Squat shape, with wider neck.
Shoulder, incised tongues on broad black band.
Panthers, bulls, (?) lions. Poor drawing, but fine
fabric. Perhaps late Protocorinthian. Syracuse,
from Achradina tomb 57. PI. 13,3 (N.S. 1925 pi. 10).
Two friezes: lions, panthers, goats, sphinxes, bull,
stag, swan. Massive figures, like Corinthian. Close
to no. 130. Late; found with early Corinthian vases
(P- 34)-
CONICAL OINOCHOAI
Athens, from the Argive Heraeum (A.H. ii, pi. 59,
22). Shoulder, red and black tongues. Panther,
sphinx, swan. F.o. red and black dot-rosettes and
crosses. Ibid., same source (A.H. ii, pi. 59, 23).
Shoulder as last. Goat, lion, sphinxes grouped about
incised ornament. F.o. as before. Both vases are of
late Protocorinthian or early Transitional style. Ibid.,
from Aegina. PI. 12, 4 (A.M. 1897, 317 fig. 34).
Compare pi. 12, 2. Pallat /. c. recognizes the post-
Protocorinthian character of this fragment.
OLPAI
By the painter of Vatican 73 (nos. 118-19, 144-52):
early Transitional.
Frankfurt, Coll. Schaffer (Stadeljahrbuch iii,
pi. 5, d). Above friezes, black-polychrome tongues.
Two friezes: lions, panthers (male and female),
stags, bull, goat, siren, sphinxes. Turin. Two
animal friezes; below each, scale band in black-
polychrome style. Bad condition. Vatican 73.
PI. II, 5; 16,3,5 (Albizzati pi. 5). Lions, sphinxes,
panthers, stags, goats, boars, bulls, water-birds,
siren. Vatican 74 (Albizzati pi. 6). As last, but
with slight differences in the arrangement of the
animals. Gotha, from Caere. PI. 11,4. Hermitage
132
133
i34-<
137
138
139
140
141
142
143
A.
144
145
146
147
148,149
277
yellow tongues and scales). Three friezes. 1, lions,
bulls, stags, goats, panther, swan between sphinxes.
2, 3, coursing hounds and hare. Dot-rosettes.
OINOCHOAI WITH TREFOIL MOUTH AND
SMALL FOOT
Continuation of the style of nos. 31-5. F.o. dot-
rosettes.
Vatican 68 (Albizzati pi. 5). Shoulder black-
polychrome (tongues and scales). Two friezes:
lions, lioness, panthers, goats, bulls, sphinxes, boar,
stag, eagle, water-bird. By the painter of Vatican
73 (nos. 144-52 infra), cf. next. Louvre E 419,
from Italy. Detail, PI. 16, 4. Patterns as before;
animals almost all as before. By the same as the last.
Vatican 67 (Albizzati pi. 4). Patterns as before;
animals: lions, goats, stags, birds, bull. From
Narce (Mon. Ant. iv, 272 fig. 130). Apparently a
vase of this group, but the publication is inadequate.
122, 3 Munich 234 (S.H. pi. 7). Louvre E 347, from
Caere (Pottier pi. 40). Both with black-polychrome
decoration; late Transitional shapes.
Rougher style, like that of the olpai nos. 184-6,
with less elaborate patterns. F.o. as before (except
in 127).
Chicago, Art Institute (Photo C 5608). Four
friezes: various animals; in the lowest friezes,
coursing hounds. British Museum A 1007. On
shoulder, red and black tongues. Two friezes: lions,
bulls, boar, goats, flying eagle, swan. Berlin 1116,
from Vulci. Shoulder as last. One frieze: lions,
stags, goats, swan. Athens 12719, from Rhodes.
Three friezes of animals. F.o. circles and small
A.
118
119
120
121
B.
124
125
126
127
C.
128
129
130
I3O A
131
crosses.
Various oinochoai, mostly late.
Louvre A 437, from Camirus (Pottier pi. 14). On
shoulder, double incised lines. Lions, bull, goat,
swan, horseman. F.o. dotted circles and zigzags.
Cited as a parallel to one in Dresden (A. Anz. 1925,
99 no. 10). Paris, Cab. Med., from Caere (C.V.A.
pi. 8,12 and pi. 9,1). Four friezes: lions,bulls,boars,
&c; no panthers. F.o. as in no. 127. Vatican 66.
PI. 13, 4 (Albizzati pi. 4). Lions, panthers, bulls,
sphinxes, goat, eagle, hare, hounds chasing hare.
Late shape and heavy animals, very like early Corin-
thian (cf. no. 140). Louvre E 420. PI. 13,2. Shoulder
as in no. 128. One frieze: lions, goat, panther, bull,
boar, siren. Some animals elongated, as in Corin-
thian; late. Athens, from the Argive Heraeum
(A.H. ii, pi. 59, 25 a-c). Fragments of an unusual
vase. The principal piece shows part of a man run-
ning : he wears a wolf-skin (?); his flesh was painted
either white or yellow on black, not red as implied by
Hoppin, /. c. The greater part of the contour incised.
The fragments are interesting owing to the rarity of
human figures on such vases. Fine technique:
late Protocorinthian or Transitional. Ibid., same
source {op. cit. pi. 61, 12). Frag, with head of ram
and foot of feline. F.o. dotted circle. Late. Corinth.
Frag, with part of goat and foot of feline. Fine
technique. Aegina G. 18; G. 69; G 136, and many
others, among which G. 88 should be mentioned as
it is by the Sphinx painter and illustrates the transi-
tion from his dot-rosette to his incised-rosette style
(see p. 31, note 1).
BROAD-BOTTOMED OINOCHOAI
New York 22, 139. PI. 13,1 (Bulletin 1923, 177).
Late. Corinth. Squat shape, with wider neck.
Shoulder, incised tongues on broad black band.
Panthers, bulls, (?) lions. Poor drawing, but fine
fabric. Perhaps late Protocorinthian. Syracuse,
from Achradina tomb 57. PI. 13,3 (N.S. 1925 pi. 10).
Two friezes: lions, panthers, goats, sphinxes, bull,
stag, swan. Massive figures, like Corinthian. Close
to no. 130. Late; found with early Corinthian vases
(P- 34)-
CONICAL OINOCHOAI
Athens, from the Argive Heraeum (A.H. ii, pi. 59,
22). Shoulder, red and black tongues. Panther,
sphinx, swan. F.o. red and black dot-rosettes and
crosses. Ibid., same source (A.H. ii, pi. 59, 23).
Shoulder as last. Goat, lion, sphinxes grouped about
incised ornament. F.o. as before. Both vases are of
late Protocorinthian or early Transitional style. Ibid.,
from Aegina. PI. 12, 4 (A.M. 1897, 317 fig. 34).
Compare pi. 12, 2. Pallat /. c. recognizes the post-
Protocorinthian character of this fragment.
OLPAI
By the painter of Vatican 73 (nos. 118-19, 144-52):
early Transitional.
Frankfurt, Coll. Schaffer (Stadeljahrbuch iii,
pi. 5, d). Above friezes, black-polychrome tongues.
Two friezes: lions, panthers (male and female),
stags, bull, goat, siren, sphinxes. Turin. Two
animal friezes; below each, scale band in black-
polychrome style. Bad condition. Vatican 73.
PI. II, 5; 16,3,5 (Albizzati pi. 5). Lions, sphinxes,
panthers, stags, goats, boars, bulls, water-birds,
siren. Vatican 74 (Albizzati pi. 6). As last, but
with slight differences in the arrangement of the
animals. Gotha, from Caere. PI. 11,4. Hermitage
132
133
i34-<
137
138
139
140
141
142
143
A.
144
145
146
147
148,149