DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.8577#0350
33°
CATALOGUE OF LATE CORINTHIAN VASES I
4 1472 a 1471. Hague, Scheurleer Coll. Fig. 45 bis: small
frag, with part of [Herakles and] Kyknos in combat;
behind Kyknos, part of a house. Inscrip-
tion p. 167, no. 64. The drawing recalls
the style of the Amphiaraos painter, but
too little is preserved to admit of a definite
■f 1473 attribution. Naples, from Nola or Capua
(Heydemann 685; photo Sommer 11027
and 11089). R., zigzags; h.p., birds. 1,
A, two-horse chariots (galloping) and
horseman; B, chariots, almost entirely
modern (A also much restored). Under
handles, white sirens. 2, panthers and
goats. The little that remains of the
ancient painting on this vase seems to be
in the manner of the Amphiaraos painter. Inscrip-
1474 tions p. 167, no. 63. Louvre E 638, from Caere.
Pis.36,4; 40,3; fig. 37(Mon. dell' Inst. 1855,pi. 20;
Pottier i, pi. 50; A.M. 1916, 308 fig. 5; photo Alinari
23671; also photographed by Giraudon). H.p..white
ornaments, as in fig. 55,1. A, 1: departure of Hector;
fourteen people, and six horses. B, 1: walking
riders. Under handles, ornaments as in fig. 55,1. A,
B, 2: panthers and goats. Overcleaned (the back-
ground now paler than formerly) and repainted.
Very fine drawing, perhaps the finest of any exist-
1475 ing. Inscriptions p. 168, no. 65. Louvre E 637,
from Caere (Pottier i, pi. 50). H.p., floral, as in fig.
55 j. On neck, white dot-rosettes with red centres.
A, 1: departure scene (twelve figures and quadriga).
B, walking cavalrymen. Under handles, white sirens.
A, B, 2: panthers and goats. Inscriptions p. 168,
no. 66. Overcleaned and repainted. Evidently very
1476 close to the preceding. Louvre E 625, from Caere.
H.p., cocks. A, 1: battle; on the right, chariot. B, 1:
padded dancers. Under handles, cock; griffon-bird
(Strena Helbigiana, 152, fig. 7). A, B, 2: animal
frieze. Inferior to nos. 1474, 5 but somewhat similar.
CRATERS OF 'CHALCIDIAN SHAPE'
The old shape is remodelled under toreutic influence
in the second quarter of the sixth century. The new
variety is the only one used by Chalcidian potters,
and may therefore be called Chalcidian, but the Chal-
cidians were probably not the first to give it ceramic
form; the earliest of the Corinthian examples (fig.
174 a) is distinctly earlier than any Chalcidian; the
latest Corinthian is nearest to the Chalcidian type.1
1477 Dresden (Frankel, Satyr u. Bacchennamen pi. 1).
1 Note the unusual relation of breadth to height in no.
1477, and the awkward angularity of the upper handle-
piece. No. 1483, on the other hand, is very deep in propor-
tion to its width, as in Chalcidian examples. No Corin-
thian craters have the Chalcidian cushioned foot. Rumpf
Shape fig. 174 a; panther from under handle, pi. 37,
5. A, padded men and nude women, dancing. B,
Fig. 174. a, no. 1477; b, no. 1480.
galloping riders. Inscriptions p. 168,no. 67. Andro-
meda group: early red-ground period. British 1478 "
Museum B 37, from Capua. PI. 41, 1 (Dubois
Maneuve pi. 27; Walters, H.A.P. pi. 21, 2). A, boar
hunt. B, galloping riders. Under handles, swans and
eagle. Inscriptions p. 168,no. 68. Foot and cushion
modern. Andromeda group (p. 110). Rome, Palazzo 1479
dei Conservatori 37 (28). B (?), galloping riders.
Under handles,swan; eagle. Style close to that of the
last; varnish fired red. Louvre E 622, from Caere. 1480
PI. 41,3 and fig. 174 b (Pottier pi. 44; Pfuhl fig. 177;
detail of B, Morin Jean 83 fig. 94). A, battle, a little
repainted. B, white sphinxes between riders. Under
handles, white sirens. Under foot, red dipinto P.
By the Tydeus painter (p. 11 o). Louvre E 621, from 1481
Caere (Pottier pi. 44; details, Morin Jean 81 figs. 90,
91). A, duellists flanked by riders. B, white siren
between sphinxes. Under handles, griffon-birds.
Inscriptions p. 169, no. 69. Dipinto as before. By the
same hand as the last. Madrid inv. 10840 (Leroux 1482
pi. 2,no. 22). A, galloping riders. B, floral ornament
(see Leroux's description) between cocks. Under
handles, swans. Developed shape with high neck.
Leipzig, from Caere. PI.41,2 (A. Anz. 1923/4,77-8). 1483
A fragment has been added to the vase by Stud-
niczka since Rumpf's publication. A, heroic battle,
with chariots. B, cavalrymen. Inscriptions p. 169,
no. 70. Remarkably advanced drawing, comparable
to Chalcidian; nearer also to Chalcidian in shape than
any of the preceding (cf. supra). Florence 3768. 1484
Black, with patterns only. Rim, white maeander;
neck, rosettes; shoulder, tongues; centre, net; rays.
British Museum 1924. 12. 1. 1204. Fragment 1485
of neck with rim (net-pattern), from Naukratis.
quotes two Attic examples of the shape (A. Anz. 1923/4
p. 78); Laconian are very numerous. There is further a
vase in Geneva which seems to be an imitation of the
Chalcidian style (A, confronting lions).
CATALOGUE OF LATE CORINTHIAN VASES I
4 1472 a 1471. Hague, Scheurleer Coll. Fig. 45 bis: small
frag, with part of [Herakles and] Kyknos in combat;
behind Kyknos, part of a house. Inscrip-
tion p. 167, no. 64. The drawing recalls
the style of the Amphiaraos painter, but
too little is preserved to admit of a definite
■f 1473 attribution. Naples, from Nola or Capua
(Heydemann 685; photo Sommer 11027
and 11089). R., zigzags; h.p., birds. 1,
A, two-horse chariots (galloping) and
horseman; B, chariots, almost entirely
modern (A also much restored). Under
handles, white sirens. 2, panthers and
goats. The little that remains of the
ancient painting on this vase seems to be
in the manner of the Amphiaraos painter. Inscrip-
1474 tions p. 167, no. 63. Louvre E 638, from Caere.
Pis.36,4; 40,3; fig. 37(Mon. dell' Inst. 1855,pi. 20;
Pottier i, pi. 50; A.M. 1916, 308 fig. 5; photo Alinari
23671; also photographed by Giraudon). H.p..white
ornaments, as in fig. 55,1. A, 1: departure of Hector;
fourteen people, and six horses. B, 1: walking
riders. Under handles, ornaments as in fig. 55,1. A,
B, 2: panthers and goats. Overcleaned (the back-
ground now paler than formerly) and repainted.
Very fine drawing, perhaps the finest of any exist-
1475 ing. Inscriptions p. 168, no. 65. Louvre E 637,
from Caere (Pottier i, pi. 50). H.p., floral, as in fig.
55 j. On neck, white dot-rosettes with red centres.
A, 1: departure scene (twelve figures and quadriga).
B, walking cavalrymen. Under handles, white sirens.
A, B, 2: panthers and goats. Inscriptions p. 168,
no. 66. Overcleaned and repainted. Evidently very
1476 close to the preceding. Louvre E 625, from Caere.
H.p., cocks. A, 1: battle; on the right, chariot. B, 1:
padded dancers. Under handles, cock; griffon-bird
(Strena Helbigiana, 152, fig. 7). A, B, 2: animal
frieze. Inferior to nos. 1474, 5 but somewhat similar.
CRATERS OF 'CHALCIDIAN SHAPE'
The old shape is remodelled under toreutic influence
in the second quarter of the sixth century. The new
variety is the only one used by Chalcidian potters,
and may therefore be called Chalcidian, but the Chal-
cidians were probably not the first to give it ceramic
form; the earliest of the Corinthian examples (fig.
174 a) is distinctly earlier than any Chalcidian; the
latest Corinthian is nearest to the Chalcidian type.1
1477 Dresden (Frankel, Satyr u. Bacchennamen pi. 1).
1 Note the unusual relation of breadth to height in no.
1477, and the awkward angularity of the upper handle-
piece. No. 1483, on the other hand, is very deep in propor-
tion to its width, as in Chalcidian examples. No Corin-
thian craters have the Chalcidian cushioned foot. Rumpf
Shape fig. 174 a; panther from under handle, pi. 37,
5. A, padded men and nude women, dancing. B,
Fig. 174. a, no. 1477; b, no. 1480.
galloping riders. Inscriptions p. 168,no. 67. Andro-
meda group: early red-ground period. British 1478 "
Museum B 37, from Capua. PI. 41, 1 (Dubois
Maneuve pi. 27; Walters, H.A.P. pi. 21, 2). A, boar
hunt. B, galloping riders. Under handles, swans and
eagle. Inscriptions p. 168,no. 68. Foot and cushion
modern. Andromeda group (p. 110). Rome, Palazzo 1479
dei Conservatori 37 (28). B (?), galloping riders.
Under handles,swan; eagle. Style close to that of the
last; varnish fired red. Louvre E 622, from Caere. 1480
PI. 41,3 and fig. 174 b (Pottier pi. 44; Pfuhl fig. 177;
detail of B, Morin Jean 83 fig. 94). A, battle, a little
repainted. B, white sphinxes between riders. Under
handles, white sirens. Under foot, red dipinto P.
By the Tydeus painter (p. 11 o). Louvre E 621, from 1481
Caere (Pottier pi. 44; details, Morin Jean 81 figs. 90,
91). A, duellists flanked by riders. B, white siren
between sphinxes. Under handles, griffon-birds.
Inscriptions p. 169, no. 69. Dipinto as before. By the
same hand as the last. Madrid inv. 10840 (Leroux 1482
pi. 2,no. 22). A, galloping riders. B, floral ornament
(see Leroux's description) between cocks. Under
handles, swans. Developed shape with high neck.
Leipzig, from Caere. PI.41,2 (A. Anz. 1923/4,77-8). 1483
A fragment has been added to the vase by Stud-
niczka since Rumpf's publication. A, heroic battle,
with chariots. B, cavalrymen. Inscriptions p. 169,
no. 70. Remarkably advanced drawing, comparable
to Chalcidian; nearer also to Chalcidian in shape than
any of the preceding (cf. supra). Florence 3768. 1484
Black, with patterns only. Rim, white maeander;
neck, rosettes; shoulder, tongues; centre, net; rays.
British Museum 1924. 12. 1. 1204. Fragment 1485
of neck with rim (net-pattern), from Naukratis.
quotes two Attic examples of the shape (A. Anz. 1923/4
p. 78); Laconian are very numerous. There is further a
vase in Geneva which seems to be an imitation of the
Chalcidian style (A, confronting lions).