DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.8577#0357
CATALOGUE OF LATE
J549 a L 68). Leyden. Palmettes as in fig. 65 f. Second
half of the fifth century.
D. High-necked.
r549 b British Museum A 520. Fig. 192. Exceptionally
small: the illustration is half-size.
Neck and two narrow bands on
body red. Compare Mus. Bor-
bonico vi, pi. 56,1 which is closely
related, but has a low neck.
CORINTHIAN VASES II
337
1550
1551
1552
Fig. 192.
No. 1549 b.
MINIATURE BEAKED OINO-
CHOAI
Delos(Dugaspl.35,48a). Tongue
and triangle patterns. Munich
241 (S.H. pi. 12). Horizontal bands. Paris, Cab.
Med. (C.V.A. pi. 5, 13), from Aegina. Floral as
fig. 65 c, but without lotus.
I55Z a, b GLOBULAR BLACK OINOCHOAI (shapes
figs. 193-4). I believe both these types to be very
Figs. 193-4. Nos. 1552 a-b.
late, though I cannot quote evidence in support of
this view. The former, which has incised verticals
on the shoulder, may be a little before our period.
Examples are fairly numerous; suffice it to quote of
type A, Copenhagen, C.V.A. pi. 83,10, from Greece;
Hague, C.V.A. pi. 3, 4,from Athens; Berlin 1120,
1123, 1124. Of type B, Munich 142, from Corinth
(S.H. pi. 12); Vienna(Masner 132,3), from Corinth;
Carlsruhe 91; Berlin 1121; Copenhagen, C.V.A.
pi. 83,14, from Greece. Intermediate types, Copen-
hagen, C.V.A. pi. 83, 13, also from Greece;
Carlsruhe 763.
STEPPED OINOCHOE
1552 c Berlin 1667, from Vulci (Wilisch pi. 3, fig. 32).
Unpainted; clearly of the same date as the leka-
nides no. 1529.
'AMPHORA', WITHOUT HANDLES
1553 British Museum A 1538 (73. 1. 11. 8), from the
collection of Merlin, consul in Athens. Fig. 195
3575
(Pottier, Dumont-Chaplin i, 275). Neck and
shoulder perforated for tying on the lid, which is
lost. The vase now stands on three feet, imitated
from the feet of a bronze cista, which do not belong
to it; the feet appear to be antique. The pat-
terns are executed in black, white (on black), and
Fig. 195. No. 1553.
red. In the central frieze: tree between storks, lion,
goat, lion, boar, tree, lion, boar, lion. For the broken
maeander and saltire square, cf. the fifth-century
revetments from Corinth and other sites (Van Buren,
Greek Fictile Revetments pi. 24 fig. 81, &c, which
also show parallels for the palmettes); for the animals
covered with incised spots, cf. the pyxis no. 1493,
and for the style in general, the pyxides nos. 1491-7.
Later fifth century: the last gasp of the Corinthian
orientalizing style.
xx
J549 a L 68). Leyden. Palmettes as in fig. 65 f. Second
half of the fifth century.
D. High-necked.
r549 b British Museum A 520. Fig. 192. Exceptionally
small: the illustration is half-size.
Neck and two narrow bands on
body red. Compare Mus. Bor-
bonico vi, pi. 56,1 which is closely
related, but has a low neck.
CORINTHIAN VASES II
337
1550
1551
1552
Fig. 192.
No. 1549 b.
MINIATURE BEAKED OINO-
CHOAI
Delos(Dugaspl.35,48a). Tongue
and triangle patterns. Munich
241 (S.H. pi. 12). Horizontal bands. Paris, Cab.
Med. (C.V.A. pi. 5, 13), from Aegina. Floral as
fig. 65 c, but without lotus.
I55Z a, b GLOBULAR BLACK OINOCHOAI (shapes
figs. 193-4). I believe both these types to be very
Figs. 193-4. Nos. 1552 a-b.
late, though I cannot quote evidence in support of
this view. The former, which has incised verticals
on the shoulder, may be a little before our period.
Examples are fairly numerous; suffice it to quote of
type A, Copenhagen, C.V.A. pi. 83,10, from Greece;
Hague, C.V.A. pi. 3, 4,from Athens; Berlin 1120,
1123, 1124. Of type B, Munich 142, from Corinth
(S.H. pi. 12); Vienna(Masner 132,3), from Corinth;
Carlsruhe 91; Berlin 1121; Copenhagen, C.V.A.
pi. 83,14, from Greece. Intermediate types, Copen-
hagen, C.V.A. pi. 83, 13, also from Greece;
Carlsruhe 763.
STEPPED OINOCHOE
1552 c Berlin 1667, from Vulci (Wilisch pi. 3, fig. 32).
Unpainted; clearly of the same date as the leka-
nides no. 1529.
'AMPHORA', WITHOUT HANDLES
1553 British Museum A 1538 (73. 1. 11. 8), from the
collection of Merlin, consul in Athens. Fig. 195
3575
(Pottier, Dumont-Chaplin i, 275). Neck and
shoulder perforated for tying on the lid, which is
lost. The vase now stands on three feet, imitated
from the feet of a bronze cista, which do not belong
to it; the feet appear to be antique. The pat-
terns are executed in black, white (on black), and
Fig. 195. No. 1553.
red. In the central frieze: tree between storks, lion,
goat, lion, boar, tree, lion, boar, lion. For the broken
maeander and saltire square, cf. the fifth-century
revetments from Corinth and other sites (Van Buren,
Greek Fictile Revetments pi. 24 fig. 81, &c, which
also show parallels for the palmettes); for the animals
covered with incised spots, cf. the pyxis no. 1493,
and for the style in general, the pyxides nos. 1491-7.
Later fifth century: the last gasp of the Corinthian
orientalizing style.
xx