Perry, Walter Copland: Greek and Roman sculpture: a popular introduction to the history of Greek and Roman sculpture (London, 1882)

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INDEX.

I'll i;

minor works of, 199 f; character of his
genius and style, 200 Jf; his pupils, 203 ff;
Mullet's and Brunn's conjectures as to his
visit to Elis, 206; his decorations of the
Parthenon, 242 ; his part in the Parthenon
sculptures, 297 f; as compared with Poly-
cleitus, 345 f, 356 f; supposed copies of
his Amazon in the Vatican, 350, 351 «;
his statue of MilliaJes, 636. Sec Parthenon.
Olympian Zens, &c.
Phcr.e, idol pillars at, 16

Phigakia, temple of Apollo in, y&ff. Sec Apollo

Phileta.Tus, founder of the Attalid dynasty at
Pergamon, 531

Philip of Macedon, despoiled of his art
treasures by Flaminius, 572

Philippeion, the, at Olympia, works of Leo-
chares in, 464

Philippus the Crotonian, monument to, for
his beauty, 5

Philiscus of Rhodes [fire. B.C. 156), 519;
made statues of Apollo, Diana, Venus, and
the Nine Muses, 520; the Vatican Muses
and Terpsichore said to be copies, ib.

Philoctetes, Pythagoras of Rhegium's statue

of> "53/; on g<-"ms.
Philostratus, on the genius of Pheidias, 202 ;

on the Here of Polycleitus, 347
rhlius, art school of, 94

Phocians, tripod dedicated by at Delphi, 142 n
Phocion, statue of (Vatican), 650
Phoenicia, the Asiatic Aphrodite of, 16
Phradmon, competition of with Polycleitus

and Pheidias, 350, 365 ; works of, 365
Phrygian Atys, in the I-ateran. 670
Phryne the Hetaira, Praxiteles outwitted by,
437 ; exhibits her beauty to the Athenians,
443 ; the model of the Venus of Cm'Jos,
444, 446 ; Praxiteles' statues of, 452
Phyromachus of Pergamon, 537 ; his statue

of A si-lepios, ib.
Pindar, on the relation of men to the gods,
II; 01 temple decorations, 45 it ; dedi-
cated the Zeus Amnion of Calamis, 163 ;
on the Altis of Olympia, 223 M ; on the
statues of Rhodes, 518
Piomhino statue, the, in the Louvre, 58/
Pison, pupil of Ampliion of Athens, 96
Pison of (alurela, engaged on the Lysandcr
trophy at Olympia, 360

PLI

Piston, statues of Hermes and Ares by, 495
Pittheus, architect of the temple of Apollo

Thearius at Trcezen, 93
Plastic art. See Art

Plato, on the statues of DarJalus, 20 « ; on
the madness of the Maenads, 382 // ; on the
distinction between "fiepos and irodos, 3S6 u;
on the Greek love of nature, 435 /;
Plautilla, wife of Caracalla, as Aphrodite, 444/
Pliny, notices of art and artists by :—his
.account of Dibutades of Sicyon, 47 /; on
the works of Theodoras of Samos, 49 ; of
Boupalus, 50; of Dipoenus and Seyllis, ib.;

story of these artists, 51 n; on the works
of Simon the-Eginetan, 84; on the Athenian
contemporaries of Pheidias, 96; on the
early history of painting, 150 ; on Pytha-
goras of Rhegium, 152/; the character of
.Myron's art, 161 11, 162 ; the works of
Calamis, 164; notice of the Lemnian
Athene of Pheidias, 189; on Pheidias'
minor works and style of art, 19S /, 200 ;
notice of Alcamenes, 203 ; on the Nemesis
and other works of Agoracritus, 207 f; the
works of Lyeius of Kleuthene, and Styphax
of Cyprus, 334 ;;//, 335 ; on Cresilas' por-
trait statue of Pericles, 335 ; notice ol
Strongylion, 337 11 ; of Polycleitus' works,
352 /; of Cephisodotus the Elder, 374;
and of Polycles of Athens, 376; his account
of the Temple of Artemis at Ephcsus, 391 ;
on the works of Scopas, 392, 394 /; his
account of the Mausoleum of 1 lalicarnassus,
403; notice of Praxiteles, 427 ; the Venus
of CniJos, 441, 444 ; 011 a statue of Phryne
(the Wciping Wife and Laughing Harlot),
by Praxiteles, 452 /; his Charioteer, 453 ;
on the works of Praxiteles, 454/; notice of
Cephisodotus II. and of Silanion of Athens,
467 f; of Lysippus and his works, 478,
; 4SS nil ; of L)sistratus, 489; Euthycratcs,
pupil of Lysippus, 490 // ; his account of
the Colossus of Rhodes {see Colossus), 492
/; on a work of Aniphistratus, 497 ■ Aris-
tonidas of Rhodes, 519; his account of the
Laoeoon, 520 ti, 521 f; notice of Perga-
menian artists, 536 11 ; on the cessation and
revival of Grck art, 576; Diogenes of
Athens, 593 ; Pasilcles, 622 ; anecdote of
Nero's dream, 629 ; on the lost art of