156
INDEX
Colonna, Vittoria, 128, friend-
ship with Michel Angelo
Crowe and Cavalcaselle, 16, at-
tribution of Fresco I.; 58,
attribution of Fresco XL
Cruttwell, Maud, 59, criticism
on Fresco XL
D
Dante, 76, influence on
Michel Angelo; 81, shared
with Botticelli; 131, Last
Judgment; 139, Charon;
140, Minos
Donatello, 1, The master
mind
F
Fra Angelico, 1, at San Marco;
74, reward of Art; 130,
Last Judgment
Fra Diamante, 13, assistant;
71, painter of popes
G
Gaza, 66, Portrait; 67, trans-
lator of Aristotle
Giotto, 7, at Padua; 68, Last
Supper; 109, painting of
Sybils; 130, Last Judg-
ment
Ghirlandaio, 13, comes to
Rome; 20, space assigned;
38, Calling of Apostles;
39, temperament; 40, love
of portraits; 68, Last
Supper; 70, destruction of
second fresco; 71, portraits
of Popes; 76, relations with
Michel Angelo; 80, same;
82, 83, same
Granacei, Francesco, 84, sends
artists to Michel Angelo
I
Innocent VIII.; 71, succeeds
Sixtus
J
Julius II., see Rover e
K
Klaczsko, Julien, 91, Michel
Angelo’s freedom from
conventions; 99, sugges-
tion concerning Wisdom
L
Leo X., 145, orders tapes-
tries; 146, decides subject;
147, death; 149, signifi-
cance of cartoons
Leonardo da Vinci, 67, Last
Supper; 69, dramatic
rendering; 79, competi-
tion with Michel Angelo
Lorenzo de Medici, 12, em-
ployer of Botticelli; 19,
fashion of visiting artists
at work; 40, Portrait of his
uncle; 62, private collec-
tion of paintings; 76, patron
of Michel Angelo
M
Malatesta, Roberto, 34, com-
mand of papal troops;
35, death after battle; 36,
Portrait
Matteo da Lecce, 70, restora-
tion of Fresco XIII
Melozzo da Forli, 5, painter of
Group in Vatican Gal-
lery; 11, suggested de-
signer of decorations; 109,
series of Sybils
INDEX
Colonna, Vittoria, 128, friend-
ship with Michel Angelo
Crowe and Cavalcaselle, 16, at-
tribution of Fresco I.; 58,
attribution of Fresco XL
Cruttwell, Maud, 59, criticism
on Fresco XL
D
Dante, 76, influence on
Michel Angelo; 81, shared
with Botticelli; 131, Last
Judgment; 139, Charon;
140, Minos
Donatello, 1, The master
mind
F
Fra Angelico, 1, at San Marco;
74, reward of Art; 130,
Last Judgment
Fra Diamante, 13, assistant;
71, painter of popes
G
Gaza, 66, Portrait; 67, trans-
lator of Aristotle
Giotto, 7, at Padua; 68, Last
Supper; 109, painting of
Sybils; 130, Last Judg-
ment
Ghirlandaio, 13, comes to
Rome; 20, space assigned;
38, Calling of Apostles;
39, temperament; 40, love
of portraits; 68, Last
Supper; 70, destruction of
second fresco; 71, portraits
of Popes; 76, relations with
Michel Angelo; 80, same;
82, 83, same
Granacei, Francesco, 84, sends
artists to Michel Angelo
I
Innocent VIII.; 71, succeeds
Sixtus
J
Julius II., see Rover e
K
Klaczsko, Julien, 91, Michel
Angelo’s freedom from
conventions; 99, sugges-
tion concerning Wisdom
L
Leo X., 145, orders tapes-
tries; 146, decides subject;
147, death; 149, signifi-
cance of cartoons
Leonardo da Vinci, 67, Last
Supper; 69, dramatic
rendering; 79, competi-
tion with Michel Angelo
Lorenzo de Medici, 12, em-
ployer of Botticelli; 19,
fashion of visiting artists
at work; 40, Portrait of his
uncle; 62, private collec-
tion of paintings; 76, patron
of Michel Angelo
M
Malatesta, Roberto, 34, com-
mand of papal troops;
35, death after battle; 36,
Portrait
Matteo da Lecce, 70, restora-
tion of Fresco XIII
Melozzo da Forli, 5, painter of
Group in Vatican Gal-
lery; 11, suggested de-
signer of decorations; 109,
series of Sybils