CONTENTS. XXlll
Page.
General cOmparifon of ancient and modern gardening - 189
Symmetry, formality, ftraitlines. Note on fuges in mufic 190
The Italian ftyle of gardeningmoft fuited to ftately architec-
ture, but there are gradations in garden ornaments, as in
buildings - -- -- -- - 193
IIow a real and progrefftve improvement in gardening
might be made - - - * - 194
Fall'e idea of originality. NoteonHandel - - 196
Difference between leaving old terraces, avenues, &e. and
making them. Eichmond terrace. Note - - 19S
Arguments drawn from poetry, painting, &c. in favour of
heightening and embellillring common nature - - 200
The difficulties in gardening not in executing the parts, but
in combining tliem into a well connected whole - 201
EJfay oii Architecture and Buildings.
Myremarks will chiefly be confined to buildings as connec-
ted with fcenery ------- 205
Diftinction between architebture in towns, and in the country 206
Reafons for that diftinclion _____ 207
An architedt fliould be arcbitetto-pitiore - 20S
The neceffity of employing fucii an architect where the.
building is meant to accord with the fcenery - - 210
Many who think of their houfe and their place feparately:
not of the union of their character and effect - - 212
None fo likely to produce a reform on that point as arclii-
tect-painters - - - - - - - 213
Not even landfcape-painters—the reafon - 214
Qne caufe of the naked appearance of houfes, is-the hiding
of the offices - - . - - - - - 215
Advantages that might be gained by Ihewing them - 217
Another caufe, the change in thc ftyle of gardening - 218
Genius of the lamp. Note - - ibid.
parenefs of abbeys and caftles that have been improved - 219
Alfo
Page.
General cOmparifon of ancient and modern gardening - 189
Symmetry, formality, ftraitlines. Note on fuges in mufic 190
The Italian ftyle of gardeningmoft fuited to ftately architec-
ture, but there are gradations in garden ornaments, as in
buildings - -- -- -- - 193
IIow a real and progrefftve improvement in gardening
might be made - - - * - 194
Fall'e idea of originality. NoteonHandel - - 196
Difference between leaving old terraces, avenues, &e. and
making them. Eichmond terrace. Note - - 19S
Arguments drawn from poetry, painting, &c. in favour of
heightening and embellillring common nature - - 200
The difficulties in gardening not in executing the parts, but
in combining tliem into a well connected whole - 201
EJfay oii Architecture and Buildings.
Myremarks will chiefly be confined to buildings as connec-
ted with fcenery ------- 205
Diftinction between architebture in towns, and in the country 206
Reafons for that diftinclion _____ 207
An architedt fliould be arcbitetto-pitiore - 20S
The neceffity of employing fucii an architect where the.
building is meant to accord with the fcenery - - 210
Many who think of their houfe and their place feparately:
not of the union of their character and effect - - 212
None fo likely to produce a reform on that point as arclii-
tect-painters - - - - - - - 213
Not even landfcape-painters—the reafon - 214
Qne caufe of the naked appearance of houfes, is-the hiding
of the offices - - . - - - - - 215
Advantages that might be gained by Ihewing them - 217
Another caufe, the change in thc ftyle of gardening - 218
Genius of the lamp. Note - - ibid.
parenefs of abbeys and caftles that have been improved - 219
Alfo