Ruland, C.: The works of Rafael Santi da Urbino in the Royal Library at Windsor Castle (London, 1876)

22

Oil Paintings.

12. Photograph of a copy of the upper half of this
group; in the possession of the Grand Duke of
Saxe-Weimar.—P. 267.
13. Facsimile of a pen and ink sketch of parts of
the same group, the figure of the Virgin being
drawn as a skeleton; in the collection of J.
Malcolm, Esq.; published in the “Lawrence
Gallery,” No. 8.—I). 306.
14. Photograph of the same.
15. Photograph of a pen and ink copy of this draw-
ing; in the possession of the late Major Kuhlen at
Rome.
16. Reversed engraving of this group by Giulio Bona-
sone.—Bartsch, No. 50.
17. [Another study for this picture, mentioned in the
catalogue of the Grozat collection as having been
on the same sheet as studies for the “Belle Jar-
diniere,” has been lost sight of.]
18. A. Mantegna’s engraving of the Entombment.—
Bartsch, No. 3.
19. 20. Photographs of two pen and ink studies in
the Sketch-book at Venice, after Mantegna’s en-
graving.—P. 81, 82.
21, 22. Facsimile-engravings of these studies, publis-
hed by Gelotti, pl. xxi. and xxii.
23. Photograph of a pen and ink drawing, of the dis-
ciples carrying the body, with the Virgin approach-
ing; in the British Museum.— T). 450.
24. Facsimile-engraving by Comte Caylus (No. 41)
of a pen and ink drawing; the body carried in
a different way, the Virgin kneeling behind; in
the possession of Mr T. Birchall.—P. 453.
25. Photograph of a pen and ink sketch, from the
nude, of the disciples carrying the body; in the
University Collection, Oxford: commonly called
“The Death of Adonis.”—P. 462.