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Oil Paintings.

5. Lithographic facsimile of the same.
6. Photograph of a slightly different pen and ink
drawing; in the Wicar Museum at Lille, probably
by another hand. (Wicar Cat., No. 686.)
7. Photograph of a pen and ink study for the drapery
of the Virgin; in the Uffizj at Florence.—7). 115.
vi. Altarpiece painted for the Nunnery of S. Antonio at Pe-
rugia. On wood; the Tympano (the Almighty) and the
principal picture (the Virgin, Child, and St John, sur-
rounded by St Peter, St Paul, St Catherine, and St Dorothy)
belonging to the Neapolitan Royal Family, were removed
from the Palace in i860 and have been deposited since
in the National Gallery in London; the five predellas
were sold in England, with the Orleans Gallery, in 1798;
at present they belong—(1.) Christ on the Mount of Olives
to Lady B. Coutts; (2.) The Procession to Golgotha to
Sir W. Miles of Leigh Court; (3.) The Pieta to Mrs Daw-
son; (4.) St Francis and (5.) St Anthony to Dulwich Col-
lege. About 1505.—P. 25.
1. [Outline-engraving of the Tympano and the Altar-
piece; published in Agincourt, pl. 182.]
2. Engraving of the Principal Picture by Prof. Aloysio-
Juvara of Naples.
3. Photograph of a copy of the principal picture in
the possession of the Hon. and Rev. Richard
Boyle at Marston.
4. Photograph of a pen and ink study from life, for
the figure of the Almighty; in the Wicar Museum
at Lille.—D. 373.
5. Photograph of a slightly different silver-point study
for the same figure; in the University Collection,
Oxford.—D. 547.
6. Anonymous lithographic facsimile of the same.
7. Photograph of a pen and ink study for the young
St John; in the collection of the Archduke Albert
 
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