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Sainis.

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9. Photograph of a pen and ink study from life for
a St John, but in a different position; in the British
Museum.
10. Photograph of similar picture in the Louvre; 1'35
x 1*42.
11. Reversed engraving of the same, by S. Valee.
12. Anonymous engraving of the School of Marc An-
tonio, perhaps after a drawing by Parmigiano.—
Bartsch, xv. p. 25, No. 4.
13. Second state of the same of 1532.
14. Anonymous copy of the same, slightly varied;
0'189 x 0’148.
15. [Anonymous chiaroscuro. —Bartsch, xii. p. 74,
No. 19.]
16. [Anonymous engraving of the School of Marc
Antonio.—Bartsch, xv. p. 27, No. 5.]
17. Photograph of a late pen and ink drawing; in the
possession of Herr Heubel at Berlin.

B. ASCRIBED TO RAPHAEL.
1. St Raphael conducting Tobias; and St Michael conquering
the Demon. The two side compartments of P. Perugino’s Altar-
piece; in the National Gallery.—P. 3.
1—3. Photographs of the three compartments of the picture.
4. Engraving by C. Guerin, after a painting representing Raphael
and Tobias alone; in the Faviers Collection at StrasbuTg.
5. Engraving by T. G. Reinheimer, 1808; “L’Ange tutelaire.”
6. Engraving by T. G. Reinheimer, 1808; “L’Adolescent pieux.”
7. Photograph of a picture in the Darmstadt Gallery, represent-
ing St Michael alone.
8. Photograph of Perugino’s silver-point study, from life, for
the figures of Raphael and Tobias; in the University Col-
lection, Oxford.—D. 494.
9. Photograph of another full-length picture of St Michael; in
the possession of the Rev. Mr Sutton.
 
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