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The “Stanza della Segnatura." 183
nude, for the groups on the left of the altar; >
in the Stadel Museum at Frankfort.-—I). 280.
102. Facsimile-etching of it by Lagoy, when in the
collection of M. Magnan La Roquette.
103. Reversed etching of it by Count Caylus, when
in the Crozat Collection.
104. Photograph of a pen and ink washed copy of the
drawing, No. 101 supra; (perhaps by Primaticcio?)
in the Royal Library at Windsor Castle.
105. Engraving of a part of Caylus’ facsimile No. 103,
supra; from Reynold’s Lectures.
106. Facsimile-engraving by Count Caylus, “d’apres
un croquis de Raphael;” representing the groups
on the left of the altar in draped figures.
107. Reversed etching apparently of the same draw-
ing, by Count Caylus; marked No. 13.
108. Photograph of a pen and ink drawing of the same
groups; in the collection of the Duke of Devon-
shire at Chatsworth.
109. Photograph of a pen and bister washed drawing
of the same groups; in the possession of M. Gasc
at Paris. Either this or the Chatsworth draw-
ing seems to be the original of Count Caylus’
facsimiles, Nos. 106 & 107 supra.
11 o. Photograph of a similar pen and bister washed ‘
drawing of the same groups; in the collection
of Prince Esterhazy. Probably an early copy of
one of the preceding drawings.—D. 241.
in. Photograph of another similar pen and ink draw- *
ing of the same groups in the Louvre.
112. Photograph of a pen and bister washed drawing
heightened with white of the lower left half in
draped figures; in the Ambrosian Library at Milan.
113. Photograph of another pen and bister washed *
drawing, heightened with white; in the collection
of Archduke Albert at Vienna.—D. 199.
 
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