The Tapestries “della Scuola Nuova.”
255
6—8. Engravings by A. Hirschvogel of the three parts of the
tapestry.—Bartsch, ix. p. 172, No. 2.
9, 10. Etchings by A. M. Corneille, of the left and the middle
part of the tapestry.
11—15. Five female heads: drawn from the tapestry, by N.Fiiger,
and engraved by Egger.
16. Photograph of a grisaille drawing of the whole composition,
on one leaf; in the British Museum.
17. Photograph of a pen and ink drawing of the three parts in
one; in the possession of Professor Poselger at Berlin; the
background differing from that in the preceding drawing.
18. [Photograph of a similar drawing, in the possession of Mr
G. Mordaunt.]
19. [A similar drawing, but without any background, ascribed
to Polidoro; in the Royal Library at Turin.]
20—22. Photographs of three pen and sepia drawings; in the
Teyler Museum at Haarlem; representing the compositions
of the tapestry, with their backgrounds.
23. Reversed aquatint by J. Prestel, of a drawing then in the
Cabinet Praun at Nurnberg; representing the left part of
the tapestry.
24. [The large cartoon of the left part, belonging to the London
Foundling Hospital, has not been engraved, and cannot be
reproduced by photography.]
25. 26. Photographs of two drawings; in the possession of A.
Fountaine, Esq., at Narborough; representing the left and
the middle parts of the tapestry.
27. Photograph of a very late bister washed and heightened
sketch of the left part; in the portfolios of the Uffizj at
Florence.
28. Photograph of a coloured cartoon-fragment; in the posses-
sion of Earl Spencer at Althorp; representing the head of
the woman running up the stairs, in the background.
29. Engraving of the same by Worthington.
30. Photograph of a similar fragment; in the collection of Christ
Church College at Oxford; the head of the woman weeping
over her dead child in the foreground.
31. [Etching by J. Richardson, representing a similar cartoon-
fragment, then in his possession; the head of a man, look-
ing downwards.]
32. Reversed anonymous etching of the right-hand part of the
tapestry, probably from one of the following drawings.
255
6—8. Engravings by A. Hirschvogel of the three parts of the
tapestry.—Bartsch, ix. p. 172, No. 2.
9, 10. Etchings by A. M. Corneille, of the left and the middle
part of the tapestry.
11—15. Five female heads: drawn from the tapestry, by N.Fiiger,
and engraved by Egger.
16. Photograph of a grisaille drawing of the whole composition,
on one leaf; in the British Museum.
17. Photograph of a pen and ink drawing of the three parts in
one; in the possession of Professor Poselger at Berlin; the
background differing from that in the preceding drawing.
18. [Photograph of a similar drawing, in the possession of Mr
G. Mordaunt.]
19. [A similar drawing, but without any background, ascribed
to Polidoro; in the Royal Library at Turin.]
20—22. Photographs of three pen and sepia drawings; in the
Teyler Museum at Haarlem; representing the compositions
of the tapestry, with their backgrounds.
23. Reversed aquatint by J. Prestel, of a drawing then in the
Cabinet Praun at Nurnberg; representing the left part of
the tapestry.
24. [The large cartoon of the left part, belonging to the London
Foundling Hospital, has not been engraved, and cannot be
reproduced by photography.]
25. 26. Photographs of two drawings; in the possession of A.
Fountaine, Esq., at Narborough; representing the left and
the middle parts of the tapestry.
27. Photograph of a very late bister washed and heightened
sketch of the left part; in the portfolios of the Uffizj at
Florence.
28. Photograph of a coloured cartoon-fragment; in the posses-
sion of Earl Spencer at Althorp; representing the head of
the woman running up the stairs, in the background.
29. Engraving of the same by Worthington.
30. Photograph of a similar fragment; in the collection of Christ
Church College at Oxford; the head of the woman weeping
over her dead child in the foreground.
31. [Etching by J. Richardson, representing a similar cartoon-
fragment, then in his possession; the head of a man, look-
ing downwards.]
32. Reversed anonymous etching of the right-hand part of the
tapestry, probably from one of the following drawings.