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The Tapestries “della Scuola NuovaT 257
5. Photograph of a similar drawing; in the University Collec-
tion, Oxford. (Oxford Cat. No. 144.)
6. Photograph of a similar drawing; in the possession of W.
Russell, Esq.
7. [Photograph of a similar drawing; in the possession of Mr
Ford. (?)]
8. Photograph of a coloured cartoon-fragment: the head of a
woman on the left; in the collection of Christ Church
College at Oxford.
9. Photograph of a red-chalk study from the tapestry, by C.
Maratta, in the Royal Library at Windsor Castle: the two
young women on the left.
v. Christ descending into the Limbus.—P. 203.
1. Etching by L. Sommereau.
2. Engraving by N. Reatrizetto, probably from a lost drawing;
1541.—Bartsch, No. 22.
3. Second state of the same plate; 1571.
vi. The Resurrection.—P. 201.
1. Etching by L. Sommereau.
2. Photograph of a drawing of this composition, with very little
background, washed in bister and heightened; in the Uni-
versity Collection, Oxford. Generally ascribed to Raphael
himself. (Oxford Cat. No. 2.)
3. Photograph of the first pen and bister washed sketch heighten-
ed with white, representing the centre part alone; in the
Louvre, where it is ascribed to G. Romano.
4. Photograph of a pen and bister washed drawing of a different
composition; in the Royal Library at Windsor Castle.
5. Engraving of it by Cherubino Alberti;—Bartsch, xvii. No.
24; erroneously considered as representing a first sketch
for this tapestry.
6. [Anonymous engraving: “Ant. Lafrerij exc. 1575;” from a
different design.]
vii. Christ appearing to Mary Magdalen.—P. 202.
1. Etching by M. Corneille.
2. Etching by L. Sommereau.
viii. Christ at Emmaus.—P. 204.
1. Engraving by R. Dalton and J. Basire; 1753.
2. Etching by L. Sommereau.
3. Photograph of a pen and bister washed drawing, heightened
with white; in the University Collection, Oxford.
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