Ruland, C.: The works of Rafael Santi da Urbino in the Royal Library at Windsor Castle (London, 1876)

General Studies. 315
i. Photograph of a pen and ink drawing from the
nude; in the Sketch-book at Venice.—I). 15.
xiii. A Young Man, playing on a double flute, slightly differ-
ent from the one in No. xii.; also an outline of a right arm.
1. Photograph of a pen and ink drawing; in the Sketch-
book at Venice.—D. 76.
xiv. A Young Man, playing on a shalm; also a right foot."
1. Photograph of a pen and ink drawing from the
nude; in the Sketch-book at Venice.—I). 31.
xv. A Young Man, blowing a long trumpet, which he raises
in both his hands.
1. Photograph of a pen and ink study from the nude;
in the Sketch-book at Venice.—D. 29.
xvi. A Young Man, standing; raising a club in order to strike
a bull’s head, which is indicated below.
1. Photograph of a pen and ink study from the nude;
in the Sketch-book at Venice.—D. 19.
xvii. An Elderly Man, standing; turned towards the right;
the arms crossed.
1. Photograph of a pen and ink outline study from
the nude; in the Sketch-book at Venice.—D. 36.
xviii. The same, standing; in profile, turned to the left, without
arms.
1. Photograph of a pen and ink outline; in the Sketch-
book at Venice.—D. 38.
xix. The same, standing; seen from behind, a sword in the
right hand.
1. Photograph of a pen and ink outline from the nude;
in the Sketch-book at Venice.—D. 37.
* The drawings catalogued under Nos. xiv to xxvii have been inserted here,
although some doubts have arisen as to their authenticity. Passavant almost
without hesitation allowed them as genuine, chiefly because they form part of
the so-called Sketchbook of Raphael, the history of which has not however
been yet entirely cleared up. Many of these sketches undoubtedly bear evident
traces of having been retouched and gone over by later hands.