Battle Pieces.
167
B. ASCRIBED TO RAPHAEL.
I. Scipio’s Victory over Syphax.
1. Engraving by the Maitre an De.—Bartsch, No. 73.
2. Landon’s outline-engraving, No. 357.
II. Scipio’s Victory over the Carthaginians.
1. Anonymous engraving of the school of Marc Antonio.—
Bartsch, xv. p. 31, No. 4.
2. Photograph of a pen and bister washed drawing, by Giulio
Romano; in the collection of M. Gatteaux at Paris.
in. “The Battle with the Elephants.”
1. Photograph of the original drawing by Giulio Romano; in
the collection of M. Gatteaux at Paris.
2. Photograph of a precisely similar drawing, probably an old
copy; in the collection of Archduke Albert at Vienna.
3. Photograph of a red-chalk study for three of the elephants;
in the University Collection, Oxford.
4. Engraving by B. Franco representing four elephants.—Bartsch,
No. 75.
5. [Anonymous etching of four elephants, &c.; apparently after
a drawing.]
6. Engraving by Cornells Cort; 1567.
iv. The Battle, commonly called: “au bouclier sur la lance.”
1. Engraving by J. Caraglio.—Bartsch, No. 59.
v. The Battle, commonly called: “au Coutelas.”
1. Anonymous engraving of the school of Marc Antonio.—
Bartsch, No. 211.
2. Reversed engraving by Ag. Veneziano.—Bartsch, No. 212.
3. Photograph of the original design, probably by Giulio Ro-
mano; in the British Museum.
vi. The Battle, commonly called: “au cheval qui rue.”
1. Reversed engraving by Marco da Ravenna.—Bartsch, No. 420.
2. Photograph of the original bister washed study for a few of
the figures; in the collection of the Duke of Devonshire
at Chatsworth.
vii. The Battle of the Amazons.
1. Engraving by Enea Vico.—Bartsch, No. 14.
167
B. ASCRIBED TO RAPHAEL.
I. Scipio’s Victory over Syphax.
1. Engraving by the Maitre an De.—Bartsch, No. 73.
2. Landon’s outline-engraving, No. 357.
II. Scipio’s Victory over the Carthaginians.
1. Anonymous engraving of the school of Marc Antonio.—
Bartsch, xv. p. 31, No. 4.
2. Photograph of a pen and bister washed drawing, by Giulio
Romano; in the collection of M. Gatteaux at Paris.
in. “The Battle with the Elephants.”
1. Photograph of the original drawing by Giulio Romano; in
the collection of M. Gatteaux at Paris.
2. Photograph of a precisely similar drawing, probably an old
copy; in the collection of Archduke Albert at Vienna.
3. Photograph of a red-chalk study for three of the elephants;
in the University Collection, Oxford.
4. Engraving by B. Franco representing four elephants.—Bartsch,
No. 75.
5. [Anonymous etching of four elephants, &c.; apparently after
a drawing.]
6. Engraving by Cornells Cort; 1567.
iv. The Battle, commonly called: “au bouclier sur la lance.”
1. Engraving by J. Caraglio.—Bartsch, No. 59.
v. The Battle, commonly called: “au Coutelas.”
1. Anonymous engraving of the school of Marc Antonio.—
Bartsch, No. 211.
2. Reversed engraving by Ag. Veneziano.—Bartsch, No. 212.
3. Photograph of the original design, probably by Giulio Ro-
mano; in the British Museum.
vi. The Battle, commonly called: “au cheval qui rue.”
1. Reversed engraving by Marco da Ravenna.—Bartsch, No. 420.
2. Photograph of the original bister washed study for a few of
the figures; in the collection of the Duke of Devonshire
at Chatsworth.
vii. The Battle of the Amazons.
1. Engraving by Enea Vico.—Bartsch, No. 14.