DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.19928#0442
Tin CONTENTS.
Book I. Of Drawing. Book II. Os Engraving.
Clup.i.r\* Polygraph^ £^ *"* Umnln^
OF I
in general, P.i. i./^~\F graving & the In-
i. Instruments of Drawing, x struments, Pag,') I
3. Precepts of Drawing in *• Pehlhing the Copper-
general, 4 Plates, 53
4. Particular Gbservations in 3. Holding the Graver, 5-4
the Art of Drawing, 7 4.The way and manner of En-
5 Imitation of the Life, 10 graving, jj-
6. Imitation of Draughts, it $. Imitation of Copies, $6
7-Drawing the face of a man, 6, Engraving in Wood, 57
1 j 7 Etching & the materials, 5 $>
8,'Drawing the extreme parts, 8. Using the hard Varniih, 6$
18 9. The way os Etching, 64
e.Drawing the whole body,!? lo. Using the Aqux-serthy 66
10. Drawing a naked body, 11 11. Finiihing the Work, 6%
i 1.Shadowing a naked bo. zi n. Using the soft Varniih,6#
ii. The way and manner of 13. Of Etching upon the soft
Shadowing, ij Varnish, 70
13. Expressing Passions in the 14. Using the A^uxsonis^ni.
Countenance, %% finiihing the Work, 71
14. Human Proportion, %6 i?.Limning&thematerials,7j
15. Draperyi 27 i6.TheGurns and their ctse,74
i^<Mixt & uncertain forms,28 17- The seren Colors in ge«
*7. Iandskip, 20 neral, 7s
1 8. Diapering & Antique, 32 i8» Colors in particular, 77
1 p.To take the perfest draught 19. Mixt and compound Co-
of any Picture, 34 lors, 80
20. To extend or contract a 20. Colors for Drapery, 84
Picture, keeping the pro- zt. Liquid Gold & Silver, 86
portion, 36 %z. Preparing the Colors, 8?
*i. PerspeSive in general, 37 23.-Manual Instruments, 911
2.1. The A&ive part of Per- 24. Preparations for limn-
fpeftive, 39 ing,
z.3. The Subject to be seen,4d 25. Limning in Miniturc, 94
24*- The general Praftice of z6. Limning Drapery, 97
Perspe&ive, 43 27, Limning Landskip, 98
25. A rational Demonstration 28. Light and Shadow, ^ 100
of Ckiromantiial $igna- 2^.Colors more particularly,1.
Book I. Of Drawing. Book II. Os Engraving.
Clup.i.r\* Polygraph^ £^ *"* Umnln^
OF I
in general, P.i. i./^~\F graving & the In-
i. Instruments of Drawing, x struments, Pag,') I
3. Precepts of Drawing in *• Pehlhing the Copper-
general, 4 Plates, 53
4. Particular Gbservations in 3. Holding the Graver, 5-4
the Art of Drawing, 7 4.The way and manner of En-
5 Imitation of the Life, 10 graving, jj-
6. Imitation of Draughts, it $. Imitation of Copies, $6
7-Drawing the face of a man, 6, Engraving in Wood, 57
1 j 7 Etching & the materials, 5 $>
8,'Drawing the extreme parts, 8. Using the hard Varniih, 6$
18 9. The way os Etching, 64
e.Drawing the whole body,!? lo. Using the Aqux-serthy 66
10. Drawing a naked body, 11 11. Finiihing the Work, 6%
i 1.Shadowing a naked bo. zi n. Using the soft Varniih,6#
ii. The way and manner of 13. Of Etching upon the soft
Shadowing, ij Varnish, 70
13. Expressing Passions in the 14. Using the A^uxsonis^ni.
Countenance, %% finiihing the Work, 71
14. Human Proportion, %6 i?.Limning&thematerials,7j
15. Draperyi 27 i6.TheGurns and their ctse,74
i^<Mixt & uncertain forms,28 17- The seren Colors in ge«
*7. Iandskip, 20 neral, 7s
1 8. Diapering & Antique, 32 i8» Colors in particular, 77
1 p.To take the perfest draught 19. Mixt and compound Co-
of any Picture, 34 lors, 80
20. To extend or contract a 20. Colors for Drapery, 84
Picture, keeping the pro- zt. Liquid Gold & Silver, 86
portion, 36 %z. Preparing the Colors, 8?
*i. PerspeSive in general, 37 23.-Manual Instruments, 911
2.1. The A&ive part of Per- 24. Preparations for limn-
fpeftive, 39 ing,
z.3. The Subject to be seen,4d 25. Limning in Miniturc, 94
24*- The general Praftice of z6. Limning Drapery, 97
Perspe&ive, 43 27, Limning Landskip, 98
25. A rational Demonstration 28. Light and Shadow, ^ 100
of Ckiromantiial $igna- 2^.Colors more particularly,1.