DOI Page / Citation link:
https://doi.org/10.11588/diglit.56731#0012
42-45- The Renaissance of the Caroline Age
42. Charles I and the Earl of Arundel as Collectors
43. Renaissance Ideals in the Seventeenth Century
44. The Italianized Architecture of Inigo Jones and his School
45. The Setting of the English Court-Masque and its Italian Antecedents
46-52. The Impact of Baroque
46-47. St. Paul’s Cathedral: The Variety of Sources
48-49. The Grand Manner of Wren and Vanbrugh : (1) Greenwich Hospital; (2) Castle Howard
and Seaton Delaval
50. Baroque Wall Decoration
51. Bernini’s English Followers
52. Portraiture in the Italian Taste
53-60. The Dictatorship of Taste
53. Lord Burlington’s Literary Propaganda
54. The English Interpretation of Palladio : Chiswick House
55. The Emergence of a New Style
56. Augustan Decoration
57. The Grand Tour
58. Academies and Connoisseurship
59. The Hall as a Setting for Classical Statuary
60. Italian Opera in Eighteenth-Century England
61. William Hogarth: Classical Aspects of his Work
62. English Caricature and its Italian Ancestry
63-70. The Grand Manner
63. Allegorical Portraiture and its English Offshoot
64. The Epic Style
65. The Mock-Heroic
66. The Recurring Inspiration of Michelangelo
67. The Recurrent Inspiration of Michelangelo (continued): Reynolds and Blake
68. The Bust in the Roman Tradition
69. The Sublime and the Beautiful in Landscape Painting
70. English Landscape Panoramas in Canaletto’s Manner
71-75. Visions and Transformations of Roman Art
71. The Growth of Archaeological Zeal
72. The Spirit of “Novelty and Variety” in Robert Adam
73. The Rise of a new Style in Decoration
74. Landscape Gardening and the Cult of Ruins
75. The Picturesque in Architecture
76-80. The Greek Revival
76. Artists and Travellers in Greece
77. Antiquarians and Enthusiasts
78. Neo-Greek Architecture
79. Neo-Greek Decoration: The Chapel at Greenwich
80. “Athenian” Stuart’s Nineteenth-Century Followers
81. Classical Features in the Gothic Revival
82-83. The Greco-Roman Trend in Painting and Sculpture
84. Italian and Hellenistic Tendencies in Nineteenth-Century Architecture
85. The Pre-Raphaelites and Italian Art
86. The Loosening of Classical Ties in Modern Times
42. Charles I and the Earl of Arundel as Collectors
43. Renaissance Ideals in the Seventeenth Century
44. The Italianized Architecture of Inigo Jones and his School
45. The Setting of the English Court-Masque and its Italian Antecedents
46-52. The Impact of Baroque
46-47. St. Paul’s Cathedral: The Variety of Sources
48-49. The Grand Manner of Wren and Vanbrugh : (1) Greenwich Hospital; (2) Castle Howard
and Seaton Delaval
50. Baroque Wall Decoration
51. Bernini’s English Followers
52. Portraiture in the Italian Taste
53-60. The Dictatorship of Taste
53. Lord Burlington’s Literary Propaganda
54. The English Interpretation of Palladio : Chiswick House
55. The Emergence of a New Style
56. Augustan Decoration
57. The Grand Tour
58. Academies and Connoisseurship
59. The Hall as a Setting for Classical Statuary
60. Italian Opera in Eighteenth-Century England
61. William Hogarth: Classical Aspects of his Work
62. English Caricature and its Italian Ancestry
63-70. The Grand Manner
63. Allegorical Portraiture and its English Offshoot
64. The Epic Style
65. The Mock-Heroic
66. The Recurring Inspiration of Michelangelo
67. The Recurrent Inspiration of Michelangelo (continued): Reynolds and Blake
68. The Bust in the Roman Tradition
69. The Sublime and the Beautiful in Landscape Painting
70. English Landscape Panoramas in Canaletto’s Manner
71-75. Visions and Transformations of Roman Art
71. The Growth of Archaeological Zeal
72. The Spirit of “Novelty and Variety” in Robert Adam
73. The Rise of a new Style in Decoration
74. Landscape Gardening and the Cult of Ruins
75. The Picturesque in Architecture
76-80. The Greek Revival
76. Artists and Travellers in Greece
77. Antiquarians and Enthusiasts
78. Neo-Greek Architecture
79. Neo-Greek Decoration: The Chapel at Greenwich
80. “Athenian” Stuart’s Nineteenth-Century Followers
81. Classical Features in the Gothic Revival
82-83. The Greco-Roman Trend in Painting and Sculpture
84. Italian and Hellenistic Tendencies in Nineteenth-Century Architecture
85. The Pre-Raphaelites and Italian Art
86. The Loosening of Classical Ties in Modern Times