Inhalt

• Einband
• Exlibris
• Errata
• Titelblatt
• Preface
• Contents
• 1. Mediterranean Traces in Prehistoric Britain
• 2-4. Celtic Transformation of Classical Forms
• 5-11. Roman Britain
• 12-18. Anglo-Saxon Art and the South
• 19-23. The "Carolingian Renaissance" in Britain
• 24-27. Predominance of Byzantine Art in the Period od the Crusades
• 28. Classical Interlude before the Rise of Gothic Art: Columns and Capitals
• 29-31. The Transmission of Ancient Magic and Science
• 32-33. Reflections of Italian Thirteenth and Fourteenth Century Art in England
• 34-35. The Revival of Classical Mythology
• 36. Humanistic Script in England
• 37-41. Artistic Contacts with Italy in the Reigns of Henry VIII and Elizabeth
• 42-45. The Renaissance of the Caroline Age
• 46-52. The Impact of Baroque
• 53-60. The Dictatorship of Taste
• 61. William Hogarth: Classical Aspects of his Work
• 62. English Caricature and its Italian Ancestry
• 63-70. The Grand Manner
• 71-75. Visions and Transformations of Roman Art
• 76-80. The Greek Revival
• 81. Classical Features in the Gothic Revival
• 82-83. The Greco-Roman Trend in Painting and Sculpture
• 84. Italian and Hellenistic Tendencies in Nineteenth Century Architecture
• 85. The Pre-Raphaelites and Italian Art
• 86. The Loosening of Classical Ties in Modern Times
• Index
• Einband
• Maßstab/Farbkeil