DOI Page / Citation link:
https://doi.org/10.11588/diglit.68073#0463
INDEX
437
Morone, Domenico, 93
Moser, Mary, quoted, 382
Moroni, Giambattista, 93, 98, 112
Morysin, Sir Richard, 240
Moulton-Barrett, Sarah, 428
Mrs. Abington (Reynolds), 340, 422
Mrs. Hardinge (Reynolds), 340
Mrs. Siddons (Gainsborough), 350, 385
Mrs. Siddons as the Tragic Muse (Rey-
nolds), 340, 347-356, 381
Murano, Antonio da, 116, 117
Murillo, 258
Musical Instruments, 172
Music Party (Pieter de Hoogh), 226
Musidora (Gainsborough), 406
Myrtle, 25
Mytens, Daniel, 335
Nasmyth, Alexander, 412, 414
Nattier, Jean Marc, 276, 285-290, 312
Nelli, Ottaviano, 76
Nelly O’Brien, 340
Nelson, Lord, 407, 408, 410
Neroccio di Landi, 3
Netherlands, Spanish and Austrian, 199
New England Company, 190
Niccolini Madonna, The (Raphael), 84-86
Niccolo da Foligno, 78
Night Watch (Rembrandt), 206, 207
Noort, Adam van, 178
Northcote, James, quoted, 342, 353
North Italian School, 93-114
Nuremburg, 236
Nuzi, Allegretto, 73, 76
Oils, 83, 117, 121, 124
Old Lady Seated in an Armchair (Rem-
brandt), 212
Old Woman (Rembrandt), 212
Olive branch, 31
Oliver, Isaac, 334
Oliver, Peter, 334
Opie, John, 337, 424, 426
Orcagna, 18
Oriental Art and Sienese Art, 4-5
Orleans, Due d’ (the Regent), 92
Orleans, Gaston d’, 178
Orley, Bernard van, 164
Ostade, Adriaen van, 202
Oudry, J. B., 277, 312
Pacheco, Francisco, 258
Paduan School, 116
Paget, John, quoted, 408
Palette, Reynolds’s, 341
Palma, School of, 119
Palma Vecchio, 119, 121
Palmer, Theophila, 344
Paolo di Dono, 119
Paolo di Giovanni Fei, 9
“Parma Valasquez,” 266
Parmigiano, 119
Parliament, Long, 194
Parliament, Short, 190, 194
Parnassus (Mantegna), 107
Parsifal, 235
Paston, John, quoted, 160
Pastry, curiosities in, 159-160, 161
Pater, J. B. J., 276, 296-299, 330
Pater, Walter, quoted, 115, 118
Pears, 126
Peg Woffington (Hogarth), 337
Penelope Boothby (Reynolds), 340
Pepito Costa y Bonella (Goya), 272
Perspective, 31, 83
Perugia, 74, 80, 89
Perugia, School of, 78
Perugino, 23, 61, 74, 78, 80-84, 89, 94
Pesellino, Francesco, 22
Philip the Fair (Austria), 161
Philip the Bold, Duke of Burgundy, 158
Philip the Good, Duke of Burgundy, 157,
158, 159
Philip IV, 258, 264, 266-268
Philip IV, King of Spain (Velasquez), 266
Pie, mammoth, 160
Pier Francesco Fiorentino, 22, 70
Piero della Francesca (Pier dei Frances-
chi), 10, 22, 74, 78, 82, 83
Piero di Cosimo, 23, 24, 164
Piero di Lorenzo, 23
Pierrot, 281
Pink Boy (Gainsborough), 384
Pinkie (Sir Thomas Lawrence), 426-428
Pintoricchio, Bernard, 74, 89
Pisanello (Antonio Pisano), 8, 93, 98, 99-
104
“Plymouth Beauty, The,” 418
Poliziano, Angelo (Politian), 28, 59, 69
Pollaiuolo, Antonio, 22, 23, 48, 52
437
Morone, Domenico, 93
Moser, Mary, quoted, 382
Moroni, Giambattista, 93, 98, 112
Morysin, Sir Richard, 240
Moulton-Barrett, Sarah, 428
Mrs. Abington (Reynolds), 340, 422
Mrs. Hardinge (Reynolds), 340
Mrs. Siddons (Gainsborough), 350, 385
Mrs. Siddons as the Tragic Muse (Rey-
nolds), 340, 347-356, 381
Murano, Antonio da, 116, 117
Murillo, 258
Musical Instruments, 172
Music Party (Pieter de Hoogh), 226
Musidora (Gainsborough), 406
Myrtle, 25
Mytens, Daniel, 335
Nasmyth, Alexander, 412, 414
Nattier, Jean Marc, 276, 285-290, 312
Nelli, Ottaviano, 76
Nelly O’Brien, 340
Nelson, Lord, 407, 408, 410
Neroccio di Landi, 3
Netherlands, Spanish and Austrian, 199
New England Company, 190
Niccolini Madonna, The (Raphael), 84-86
Niccolo da Foligno, 78
Night Watch (Rembrandt), 206, 207
Noort, Adam van, 178
Northcote, James, quoted, 342, 353
North Italian School, 93-114
Nuremburg, 236
Nuzi, Allegretto, 73, 76
Oils, 83, 117, 121, 124
Old Lady Seated in an Armchair (Rem-
brandt), 212
Old Woman (Rembrandt), 212
Olive branch, 31
Oliver, Isaac, 334
Oliver, Peter, 334
Opie, John, 337, 424, 426
Orcagna, 18
Oriental Art and Sienese Art, 4-5
Orleans, Due d’ (the Regent), 92
Orleans, Gaston d’, 178
Orley, Bernard van, 164
Ostade, Adriaen van, 202
Oudry, J. B., 277, 312
Pacheco, Francisco, 258
Paduan School, 116
Paget, John, quoted, 408
Palette, Reynolds’s, 341
Palma, School of, 119
Palma Vecchio, 119, 121
Palmer, Theophila, 344
Paolo di Dono, 119
Paolo di Giovanni Fei, 9
“Parma Valasquez,” 266
Parmigiano, 119
Parliament, Long, 194
Parliament, Short, 190, 194
Parnassus (Mantegna), 107
Parsifal, 235
Paston, John, quoted, 160
Pastry, curiosities in, 159-160, 161
Pater, J. B. J., 276, 296-299, 330
Pater, Walter, quoted, 115, 118
Pears, 126
Peg Woffington (Hogarth), 337
Penelope Boothby (Reynolds), 340
Pepito Costa y Bonella (Goya), 272
Perspective, 31, 83
Perugia, 74, 80, 89
Perugia, School of, 78
Perugino, 23, 61, 74, 78, 80-84, 89, 94
Pesellino, Francesco, 22
Philip the Fair (Austria), 161
Philip the Bold, Duke of Burgundy, 158
Philip the Good, Duke of Burgundy, 157,
158, 159
Philip IV, 258, 264, 266-268
Philip IV, King of Spain (Velasquez), 266
Pie, mammoth, 160
Pier Francesco Fiorentino, 22, 70
Piero della Francesca (Pier dei Frances-
chi), 10, 22, 74, 78, 82, 83
Piero di Cosimo, 23, 24, 164
Piero di Lorenzo, 23
Pierrot, 281
Pink Boy (Gainsborough), 384
Pinkie (Sir Thomas Lawrence), 426-428
Pintoricchio, Bernard, 74, 89
Pisanello (Antonio Pisano), 8, 93, 98, 99-
104
“Plymouth Beauty, The,” 418
Poliziano, Angelo (Politian), 28, 59, 69
Pollaiuolo, Antonio, 22, 23, 48, 52