136
RUBENS.
E s curial.
477. Phaeton and Apollo.
478. Narcissus pining over his own Ressection.
479- Cupids and Bacchanals. A copy by Rubens, after
Titian.
480. Hercules killing the Hydra.
481. The Bath of Diana. A copy by Rubens, after Titian.
482. Paris carrying off Helen. The figures are of the size
of life.
483. Orpheus redeeming Eurydice. The scene represents
a view of the infernal regions; Pluto grasping his trident and
seated on his throne, with Proserpine, habited in black, by
his side, apparently enforcing obedience to the conditions of
the gift; the dog Cerberus lies at their foot-stool. On the
opposite side are Orpheus and Eurydice; the former, with
his lyre, is retiring cautiously from the presence of the deities,
followed by his beautiful wife, who is naked all but the loins,
her long dark hair ssoating on her fair shoulders. The portal
of the gloomy region stands open before them, and beyond it
is seen the river Styx.
6ft. by 8ft. (Spanish measure.)—C.
Done in lithography.
There is a print, engraved by Desplaces, of the preceding subject,
in which Proserpine is seated on the farther side of Pluto (being
the opposite to the above) ; and the dog Cerberus is close by his
side. Orpheus has his arm round the shoulders of Eurydice, and
is incautiously turning to look at her. Two figures, representing
Malice and Discord, are also introduced.
484. The Fall of the.Giants.
RUBENS.
E s curial.
477. Phaeton and Apollo.
478. Narcissus pining over his own Ressection.
479- Cupids and Bacchanals. A copy by Rubens, after
Titian.
480. Hercules killing the Hydra.
481. The Bath of Diana. A copy by Rubens, after Titian.
482. Paris carrying off Helen. The figures are of the size
of life.
483. Orpheus redeeming Eurydice. The scene represents
a view of the infernal regions; Pluto grasping his trident and
seated on his throne, with Proserpine, habited in black, by
his side, apparently enforcing obedience to the conditions of
the gift; the dog Cerberus lies at their foot-stool. On the
opposite side are Orpheus and Eurydice; the former, with
his lyre, is retiring cautiously from the presence of the deities,
followed by his beautiful wife, who is naked all but the loins,
her long dark hair ssoating on her fair shoulders. The portal
of the gloomy region stands open before them, and beyond it
is seen the river Styx.
6ft. by 8ft. (Spanish measure.)—C.
Done in lithography.
There is a print, engraved by Desplaces, of the preceding subject,
in which Proserpine is seated on the farther side of Pluto (being
the opposite to the above) ; and the dog Cerberus is close by his
side. Orpheus has his arm round the shoulders of Eurydice, and
is incautiously turning to look at her. Two figures, representing
Malice and Discord, are also introduced.
484. The Fall of the.Giants.