Smith, John: A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Part 2) (London: Smith and Son, 1830)

196

RUBENS.

Collection of M. de Calonne, . . London, 1795. . 150/.
-- H. Hope, Esq. (by Mr. Christie), 1816. . 250/.
•- J. Knight, Esq. (by Mr. Phillips), 1819. 130 gs.
-- John Webb, Esq. (by Ditto), . 1821. . 110k

699- An Allegorical Subject, representing Justice, Peace,
and Plenty, personified by three nymphs, one of whom is
emptying a cornucopia of fruit, which three cupids are
gathering. A sketch for a group in one of the Luxembourg
pictures.
Engraved by Eynhouedts.
Collection of M. de Calonne, . . . 1795. 42k

700. St. George and the Dragon.—See pp. 33 and 48.
Collection of M. de Calonne, . . . 1795. 71k

701. The Virgin, with the infant Saviour in her arms. A
small but very beautifully-finished picture.
Collection of M. de Calonne, . . . 1795 165k
702. An Allegorical Subject, representing Rome triumphant.
A finished sketch.
Collection of M. de Calonne, . . . 1795. 42k
703. Groups of Children with festoons of Fruit, and Animals.
A study for the ceiling at Whitehall.
Collection of M. de Calonne, . . . 1795. . . . 220 gs.

704. Mars, Venus, and Cupid. The goddess is represented
in nearly a front view, naked, sitting on a couch; her right
hand presses her bosom and the left crosses the body, to hold
a blue drapery which covers the loins; her ssaxen hair is
decked with pearls. Her attention is directed to the young
god os love, who, while climbing upon her knee, looks archly
in her face ; a little retired beyond him is Mars, standing near
a table, on which is mounted a cupid, to unbuckle his armour;
a brilliant shield stands against the table and a quiver lies on
the ground ; some architecture and a red curtain compose the