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Smith, John
A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Part 2) — London: Smith and Son, 1830

DOI Page / Citation link:
https://doi.org/10.11588/diglit.62819#0386
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312

RUBENS.

1156. Portrait of Mutius Attendulus, called Sfortia, pre-
sented in a profile view, with a cap on his head.
Engraved, anonymous.
1157. Bust Portrait of an English Minister.
Etched in an oval form by Rubens.

1158. Portrait of Emanuel Sueiro, a Knight of the Military
Order of Jesus, represented in a front view, with a broad full
ruff round his neck, and the body clad in armour; the right
hand is placed on a book, and the left on the hilt of his sword.
Engraved by P. de Jode, 1624.

1159- Portrait of the Emperor Charles V., clad in a suit of
rich armour, grasping a sword in his right hand and having
the left placed on his hip.
Engraved, after a copy by Rubens from Titian, by Vosterman.

1160. Portrait of Van Dyck, dressed in a Dutch habit.
This picture is inserted No. 116, p. 11, of the Catalogue of
James IL’s Collection, and attributed to Rubens.

1161. Portrait of Charles of Austria, son of Philip III.
Represented in a profile view, clad in armour.
Engraved, in an oval form, by P. de Jode.
The same is engraved in a circular form, for the frontispiece of a
book of medals printed at Antwerp.
1162. Ferdinand II.
Engraved in an oval, surrounded with emblematical figures, by
Parerga.
The same is also engraved sor a work on medals, anonymous.

1163. Portrait of Charles de Longueval.
Engraved in an oval form, and embellished the same as the
preceding, by Vosterman.
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