Smith, John: A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Part 5) (London: Smith and Son, 1834)

JOHN VANDER HEYDEN.

383

38. A View of the Ruins of the Castle of Brederode, situate
upon the acclivity of a mountain, and backed by distant hills.
The figures which animate the scene are by Adrian Vander
Velde, and consist of a traveller with a pack at his back,
approaching the front, and followed by two women, who are
on the farther side of a bank overgrown with bushes and
brambles. Engraved, No. 113, in the Poullain Gallery.
8 in. by 11 in.—P.
Collection of M. Poullain, . . . 1780. . 500fs. 201.
- M. de St. Victor, . 1822. . 601 fs. 24d.
- Joseph Barchard, Esq. 1826. .... 25 gs.

39- A View in the City of Cologne, with noble buildings.
The scene is embellished with a great number of figures by
Adrian Vander Velde.
1ft. in. by 1 st. 8 in.—P.
Collection of M. Vaudreuil and Du Bois, 1785. SOOOfs. 1201.
- M. de Calonne, . Lond. 1795 42Z.

40. A Pair. One is a View of the Entrance to a City,
with drawbridges, &c.

41. The Companion represents the Ruins of a Castle between
trees. Three figures are on a road in front, and another is on
a bridge: the left is occupied by a castle, some trees, and hills.
The figures are by Adrian Vander Velde.—See also Nos. 34
and 35.
4| in. by 6 J in.—Cop.
Collection of M. Morell, . (pair) 1786. . 1701^5. 68Z.
- M. de Calonne, (pair) 1788. . 1000/i. 40Z.

42. A View in a public Square of a Dutch City. The
whole of the left is occupied by various buildings and a
church, the perspective of which leads the eye to a gate of the