Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
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Smith, Arthur H. [Hrsg.]; British Museum <London> / Department of Greek and Roman Antiquities [Hrsg.]
Catalogue of sculpture in the Department of Greek and Roman Antiquities (Band 1) — London, 1892

DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.18216#0194
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CATALOGUE OF SCULPTURE.

326. 12. No. 12 is on foot, and stoops forward, looking towards
the procession advancing from the right. His left foot
is raised on a rock, and he appears from the action of
his arms to he tying his hoot.
13,14. The next slab contains-two mounted figures (Nos. 13, VII.
14). No. 14 wears a mantle of skin. He is the only figure,
15. on this side of the frieze, thus decorated. No. 15 stands at VIII.
the side of a rearing horse, trying to control him. The
violence of the action is shown by the muscular strain
arid the disordered dress of this figure, who wears a
chiton, exomis, over which is a chlamys flying behind his
hack. On his head is a leathern cap. The attire of this
figure is precisely similar to that of No. 8 and No. 19.
16-21. Then follow six mounted figures (Nos. 16-21), all moving IX.—XI.
rapidly to the left. One of these (No. 17) wears the
petasos, a flapping, broad-brimmed hat used by travellers.
From No. 22 onward to the south-west angle, none of the
figures are mounted. The first group (Nos. 22-24) is XII.
not unlike that already described (Nos. 4-6). A youth
22. (No. 22) stands at the horse's head, and seems to be holding
the reins. At the side of the horse stands a taller figure
(No. 23), holding up his right hand as if giving an order
to a person at some little distance. In his left hand he
holds a short wand. This figure seems to be a marshal,
though his dress, a chiton girt at the waist and a chlamys,
differs from that of all the other marshals on the frieze,
while it frequently occurs among the riders. Behind the

24. horse is a youth (No. 24) who, from his stature and
attitude, is a groom or attendant; a thick garment is cast
over his shoulders. Next is a much mutilated figure

25. (No. 25), who seems to be pressing his right foot against XIII.
the heel of his horse's right fore leg to make him extend
himself so as to lower his back for mounting. Behind

this figure a horse springs forward, free from the control

26. of his rider (No. 26), who has let him go in order to assist XIV.
 
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