Studio: international art (20.1900)

Studio- Talk

" RETURN OF THE PILGRIMS FROM KEVELAAR." FRESCO BY NICO W. JUNGMANN

again afford us the opportunity of admiring his words that adequately express our disgust at this

conscientiousness and his energy. F. K. latest exhibition of " art-work " as it is understood

in officialdom. Why should the unoffending public

STUDIO-TALK. have such horrors thrust upon them? Cannot

(From our own Correspondents.) some punishment be devised for those who commit

ONDON.—The electric lamps recently in public places crimes against the common-sense

erected in the Strand and its neighbour- of good taste ?
hood seem from their shape—evidently

inspired by the familiar note of interroga- M. Nico Jungmann's remarkable artistic ability

tion—to demand an opinion upon their design, seems to be steadily growing, and his grasp of

The English language, however, fails to furnish the many branches of the painter's craft is year by year

L

PART OF THE "RETURN OF THE PILGRIMS"

RY NICO

W.

JUNGMANN