DOI Heft:
Nr. 167 (February 1907)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.20774#0093
Studio- Ta Ik
DRESS ORNAMENT : DRAGON-FLIES AND
UMBELS ENAMELLED ON PLATINUM BY E. FEUILLATRE
Adams, Robert Schiff, Paul Joanowitch, W. V.
Krauss, Edward Veith, were all well repre-
sented. Especially successful was Victor
Scharf, who contributed one of those fine and
delicate but yet characteristic women’s por-
traits for which he is becoming deservedly
known. Hans Larwin has attained a high
place in portraiture by his portrait of Herr
von Scanavi and two female heads, all of
which show broad touches and yet are all free
from mannerism. Leo Bernard Eichhorn’s
portrait sketch of Count Colloredo-Melo is at
once striking and characteristic of a Viennese
man-about-town such as may be seen any
day on the Corso. It is a sketch for a larger
picture, which promises to be as successful
as this one, and in which all difficult points
will be overcome. Of the other portraitists,
Heinrich Rauchinger, Jehudo Epstein, and
David Kohn must be mentioned, though
here it is not possible to go into their respec-
VIENNA.—Every year sees a
great change going on in art
circles as in other things, and
the exhibitions held at the
Kiinstlerhaus bear signs of the great
transformation which Vienna has been
undergoing of late years. This is but
natural, for there are very many young
members in the Kunstlergenossenschaft
—men of different races and different
ideas.
Among the portraits shown at the
recent exhibition those by Professor von
Angeli and the Hungarian artist Philipp
A. Laszlo occupied a prominent place.
Of these two there is little to say which
is not already known, little to add to
the fame which they have reaped and
merited. Of the others, Arthur von
Ferraris, who has again settled down in
Vienna after a stay of three years in
New York, exhibited a portrait of the
well-known pianist, Alfred Griinfeld,
showing the musician in profile sitting
at a grand piano playing carelessly on
the keyboard. The portrait itself is
very good, as far as likeness is con-
cerned, but on the whole it is too
massive and muscular. John Quincy
“ SERVIR LE ROI, SERVIR LES DAMES” (TEMPERA)
BY K. FISCHER-KOYSTRAND
71
DRESS ORNAMENT : DRAGON-FLIES AND
UMBELS ENAMELLED ON PLATINUM BY E. FEUILLATRE
Adams, Robert Schiff, Paul Joanowitch, W. V.
Krauss, Edward Veith, were all well repre-
sented. Especially successful was Victor
Scharf, who contributed one of those fine and
delicate but yet characteristic women’s por-
traits for which he is becoming deservedly
known. Hans Larwin has attained a high
place in portraiture by his portrait of Herr
von Scanavi and two female heads, all of
which show broad touches and yet are all free
from mannerism. Leo Bernard Eichhorn’s
portrait sketch of Count Colloredo-Melo is at
once striking and characteristic of a Viennese
man-about-town such as may be seen any
day on the Corso. It is a sketch for a larger
picture, which promises to be as successful
as this one, and in which all difficult points
will be overcome. Of the other portraitists,
Heinrich Rauchinger, Jehudo Epstein, and
David Kohn must be mentioned, though
here it is not possible to go into their respec-
VIENNA.—Every year sees a
great change going on in art
circles as in other things, and
the exhibitions held at the
Kiinstlerhaus bear signs of the great
transformation which Vienna has been
undergoing of late years. This is but
natural, for there are very many young
members in the Kunstlergenossenschaft
—men of different races and different
ideas.
Among the portraits shown at the
recent exhibition those by Professor von
Angeli and the Hungarian artist Philipp
A. Laszlo occupied a prominent place.
Of these two there is little to say which
is not already known, little to add to
the fame which they have reaped and
merited. Of the others, Arthur von
Ferraris, who has again settled down in
Vienna after a stay of three years in
New York, exhibited a portrait of the
well-known pianist, Alfred Griinfeld,
showing the musician in profile sitting
at a grand piano playing carelessly on
the keyboard. The portrait itself is
very good, as far as likeness is con-
cerned, but on the whole it is too
massive and muscular. John Quincy
“ SERVIR LE ROI, SERVIR LES DAMES” (TEMPERA)
BY K. FISCHER-KOYSTRAND
71