DOI Heft:
Nr. 167 (February 1907)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.20774#0102
Studio- Talk
tinguished exhibitors from the other states included
Messrs. B. Hall, Hans Heysen, Ashton, and Miss
Hambidge.
The National Gallery has made the following
purchases from the British Section of Fine Arts
in the New Zealand Exhibition. Oils: Queen
Victoria's Diamond Jubilee Procession, by G. C.
Haite, R.I., ^850; The Smugglers, Napier Hemy,
A.R.A., ^940; A Turkish Boat, Terrick Williams,
R.I., J100 ; Gipsy Fortune-Teller, Edgar Bundy,
R.I., ^105 ; The King's Rival, Seymour Lucas,
R.A., ^130; Pero Bay, Corsica, T. L. Pickering,
^60. Water-colours : Valley of the Dark, W. Eyre
Walker, R.W.S., Tl° > The Quay, St. Tropez,
Terrick Williams, R.I., f\o-, Venetian Fruit Stall,
George Haite, R.I., S25° > April, G. Demain
Hammond, R.I., 15 gs.; The Castellan, E. J.
Gregory, R.A., P.R.I., 250 gs. ; The Mill Pool,
Sir E. A. Waterlow, R.A., P.R.W.S., ,£250.
Black-and-white drawings: Between the Races,
Henley, Frank Craig, ^24 ; Starting for
Fishing, Wm. Hatherell, R.I., f~3°; Motherhood,
Margaret Kemp-Welch, A.R.E., 4 gs. Several
etchings, pieces of sculpture, and examples of
In this exhibition meri-
torious work was also
exhibited by Messrs. H.
Garlick, C. E. Tindall,
J. M. Auld, and the dis-
80
“WHERE EARLY FALLS THE DEW
round the edge of a lagoon in the dying glory of a
summer day, the topmost limbs crimson with the
fleeting glow of the setting sun, while the sombre
tones of coming night creep up the foreground and
complete the harmony. Gerald Fitzgerald’s best
work was Where Early Falls the Dew ; it is memor-
able for the clever way in which the effect of
vanishing twilight is suggested by the floating
haze of the evening fires. Norman Carter’s Portrait
Group won favour in the skilful balancing of the
figures and the harmony of the grey and green
tones. Arthur Collingridge exhibited some souvenirs
of his European tour, and in The Lake of Kandy
provided the gem of the exhibition. A romantic
night effect is shown with the moonglow upon the
middle distance, whilst the foreground is illuminated
by the warm reflected lights upon the strolling
figures. Mr. F. Leist this year again won National
Gallery recognition with his pastoral, Over the Hills
and Far Away. He also exhibited a dainty pastel,
The Toque.
Among the water-colours Mr. B. E. Minn’s
sketches stood out in daintiness. His delightful
method of dotting in his body colours almost
haphazard made his little
pictures ring like ripples
of music. Mr. J. W.
Tristram’s intense feeling
for the poetic made his
work very interesting. Sel-
dom harping upon one
string, his work always
bears strong originality.
Mr. A. J. Burgess won
much favour with his
battleship studies, every
exhibit of this clever artist
being purchased from the
exhibition. Mr. George
Taylor in The Democracy
of Death showed one of
his clever ethereal studies
in an original field of art,
which have attracted con-
siderable interest in
America as well as here.
BY GERALD FITZGERALD
tinguished exhibitors from the other states included
Messrs. B. Hall, Hans Heysen, Ashton, and Miss
Hambidge.
The National Gallery has made the following
purchases from the British Section of Fine Arts
in the New Zealand Exhibition. Oils: Queen
Victoria's Diamond Jubilee Procession, by G. C.
Haite, R.I., ^850; The Smugglers, Napier Hemy,
A.R.A., ^940; A Turkish Boat, Terrick Williams,
R.I., J100 ; Gipsy Fortune-Teller, Edgar Bundy,
R.I., ^105 ; The King's Rival, Seymour Lucas,
R.A., ^130; Pero Bay, Corsica, T. L. Pickering,
^60. Water-colours : Valley of the Dark, W. Eyre
Walker, R.W.S., Tl° > The Quay, St. Tropez,
Terrick Williams, R.I., f\o-, Venetian Fruit Stall,
George Haite, R.I., S25° > April, G. Demain
Hammond, R.I., 15 gs.; The Castellan, E. J.
Gregory, R.A., P.R.I., 250 gs. ; The Mill Pool,
Sir E. A. Waterlow, R.A., P.R.W.S., ,£250.
Black-and-white drawings: Between the Races,
Henley, Frank Craig, ^24 ; Starting for
Fishing, Wm. Hatherell, R.I., f~3°; Motherhood,
Margaret Kemp-Welch, A.R.E., 4 gs. Several
etchings, pieces of sculpture, and examples of
In this exhibition meri-
torious work was also
exhibited by Messrs. H.
Garlick, C. E. Tindall,
J. M. Auld, and the dis-
80
“WHERE EARLY FALLS THE DEW
round the edge of a lagoon in the dying glory of a
summer day, the topmost limbs crimson with the
fleeting glow of the setting sun, while the sombre
tones of coming night creep up the foreground and
complete the harmony. Gerald Fitzgerald’s best
work was Where Early Falls the Dew ; it is memor-
able for the clever way in which the effect of
vanishing twilight is suggested by the floating
haze of the evening fires. Norman Carter’s Portrait
Group won favour in the skilful balancing of the
figures and the harmony of the grey and green
tones. Arthur Collingridge exhibited some souvenirs
of his European tour, and in The Lake of Kandy
provided the gem of the exhibition. A romantic
night effect is shown with the moonglow upon the
middle distance, whilst the foreground is illuminated
by the warm reflected lights upon the strolling
figures. Mr. F. Leist this year again won National
Gallery recognition with his pastoral, Over the Hills
and Far Away. He also exhibited a dainty pastel,
The Toque.
Among the water-colours Mr. B. E. Minn’s
sketches stood out in daintiness. His delightful
method of dotting in his body colours almost
haphazard made his little
pictures ring like ripples
of music. Mr. J. W.
Tristram’s intense feeling
for the poetic made his
work very interesting. Sel-
dom harping upon one
string, his work always
bears strong originality.
Mr. A. J. Burgess won
much favour with his
battleship studies, every
exhibit of this clever artist
being purchased from the
exhibition. Mr. George
Taylor in The Democracy
of Death showed one of
his clever ethereal studies
in an original field of art,
which have attracted con-
siderable interest in
America as well as here.
BY GERALD FITZGERALD