Studio: international art (40.1907)

Studio-Talk

“lethe” by count waldemar von reichenbach

and perfectly sure of his means. Frederick Carl
Frieseke, an American who is living in Paris,
belongs to the artists who only appeal to our eyes.
He has studied the delicate tonalities of Whistler,
and applies them in female nudes and graceful
female genre subjects, which are some of them
exquisitely charming.

Paul Cassirer, the staunch supporter of the
French Impressionists, has covered the walls of
his principal room with a
vast collection of Pissaro.

He has besides admitted
a numerous collection of
the works of the young
Berlin painter, Linde-
Walther, who seeks to
translate reality, sometimes
with surprising success,
in the resolute Manet
style. His Kinderact, a
study of nude children,
seen against a deep violet
screen, is a delicate and
truthful piece of flesh
modelling. J. J.

IENNA.—W. V.

Krausz is among
the most promis-
ing of the young
Viennese painters. He
studied first under Pro-

fessor Rumpler and afterwards went to Munich,
where he became a pupil of Professor Ziigel.
At the Imperial Academy he carried off all the
scholarships attainable, and later was rewarded
with a travelling scholarship, which enabled him
to proceed to Brittany, where he hoped to find a
wide field and was not disappointed. The old
towns interested him very much, but still more
the people. His Fishsellers, which was among
the fruits of this tour, was afterwards exhibited