Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
Metadaten

Studio: international art — 44.1908

DOI Heft:
No. 184 (July 1912)
DOI Artikel:
Studio-talk
DOI Seite / Zitierlink: 
https://doi.org/10.11588/diglit.20778#0171

DWork-Logo
Überblick
loading ...
Faksimile
0.5
1 cm
facsimile
Vollansicht
OCR-Volltext
Studio-Talk

“AN INTERIOR” BY WALTER

(See Paris Studio- Talk, p. 150,)

Haymaker; a characteristic work by Tuke, and the
Constables before mentioned complete the group
of Academicians. By
Whistler there are two
works — one a portrait
sketch of Mr. Walter
Sickert-, the other an in-
terior—The Artist’s Studio,
with a portrait of the
painter standing before his
easel. Albert Moore is
represented by a beautiful
decorative panel, Azaleas,
in his early pre-Raphaelite
manner, and the remaining
works in the same room
include a Simeon Solomon,
a Holloway, a Frank
Potter, a very beautiful
William Stott, of Oldham,
and examples of the work
of Mrs. S wynnerton, Charles
Conder, the late James
Charles, Charles Shannon,

Bernard Harrison, Walter
Sickert, Charles Ricketts, “ la salle A manger ’

148

Mr. Mark Fisher, who is represented
by his famous Bathers and a suggestive
little landscape, Hatfield Heath, is hung
with the Irish painters in the adjoining
room. Here we find examples of the
restrained and dignified art of Mr. Hone,
a painter with a rare gift of expression ;
of the late Walter Osborne, of Mr. J. B.
Yeats, of Mr. George Russell, perhaps
the most poetic of the younger Irish
painters; of Mr. J. J. Shannon, Mr.
John La very, Mr. Vincent Duffy, Mr.
Dermod O’Brien, Miss Celia Harrison,
GAY and many others. It will be a surprise

to many people to find how high a level
of achievement has been attained by
these contemporary Irish painters, many of whom
are almost unknown outside of Ireland. The

(See Paris Studio- Talk)

BY WALTER GAY

Wilson Steer, D. Y. Cameron, William
Rothenstein, Mrs. McEvoy, Mrs. Harold
Knight, and other contemporary painters.
The fine group of landscapes by Wilson
Steer, a painter whose sense of style
surely demands a wider recognition, will
attract universal admiration; and the
Gallery is also to be congratulated on
the possession of two beautiful examples
of the very personal art of Mr. Charles
Shannon (see p. 147).
 
Annotationen