DOI Heft:
No. 195 (June, 1909)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.20967#0092
Studio- Talk
“QUIET WATER” (COLOURED WOOD ENGRAVING)
treatment, while K. Kundmann and Hans Muller
both contribute good work. A. S. L.
U D A P E ST.—
The Interna-
tional Graphic
Exhibition held
here this Spring was the
first of its kind held in
Budapest. Owing, how-
ever, to the immense num-
ber of exhibits and the
want of order in their
arrangement, it was diffi-
cult to get a comprehen-
sive view of the whole.
This is to be regretted,
for as no attempt was
made to show the intimate
character of graphic art
and its value for purposes
of decoration, the majority
of visitors carried away a
confused idea of the en-
bv gyula conrad semble. The exhibition
was to some extent retro-
spective; in addition to work by contemporary
artists of various countries besides Hungary,
“zebegeny” (etching)
70
BY PROFESSOR LAJOS RAUSCHER
“QUIET WATER” (COLOURED WOOD ENGRAVING)
treatment, while K. Kundmann and Hans Muller
both contribute good work. A. S. L.
U D A P E ST.—
The Interna-
tional Graphic
Exhibition held
here this Spring was the
first of its kind held in
Budapest. Owing, how-
ever, to the immense num-
ber of exhibits and the
want of order in their
arrangement, it was diffi-
cult to get a comprehen-
sive view of the whole.
This is to be regretted,
for as no attempt was
made to show the intimate
character of graphic art
and its value for purposes
of decoration, the majority
of visitors carried away a
confused idea of the en-
bv gyula conrad semble. The exhibition
was to some extent retro-
spective; in addition to work by contemporary
artists of various countries besides Hungary,
“zebegeny” (etching)
70
BY PROFESSOR LAJOS RAUSCHER