DOI Heft:
No. 197 (August, 1909)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.20967#0261
Studio-Talk
“a wedding in old Venice” (Grosse Berliner Kunst-Ausstellung) by Friedrich stahl
but sound realism and a pleasant seasoning of
good humour.
Among the portraitists, Georg Ludwig Meyn
rises conspicuously above the general level with
his portrait of the sculptor, Pagels, a delightful
variation to the conventional portrait, and a
display of supreme understanding of the subtlest
refinements of his craft. Schulte im Hofe, Vogel,
Kiesel, Pape, Bennewitz von Lofen and Else
Preussner (who is rather reminiscent of Whistler)
are also noteworthy, and Feriner-Behmer remains
the successful interpreter of female elegance and chic.
renowned masters like Bracht, Bohrdt, K. Lessing,
Hamacher, Langhammer and of younger favourites
like Hartig, Licht and Wendel. R. Eschke is
visibly rising, and some pupils of the Kallmorgen
School, like Ivocke, Tiircke and Wildhagen, arrest
attention by individual notes, the two former
especially, by careful draughtsmanship.
Genre paintings testify to the diversity in this
domain. The president of the Academy, Pro-
fessor Arthur Kampf, is again the vigorous
dramatist with a scene from Bajazzo’s family-life.
He works out his point by a subtle gradation of
tone, which becomes strongest where the catastrophe
is pending. His climax, however, is evolved with
231
We can sincerely welcome some landscapes of
“a wedding in old Venice” (Grosse Berliner Kunst-Ausstellung) by Friedrich stahl
but sound realism and a pleasant seasoning of
good humour.
Among the portraitists, Georg Ludwig Meyn
rises conspicuously above the general level with
his portrait of the sculptor, Pagels, a delightful
variation to the conventional portrait, and a
display of supreme understanding of the subtlest
refinements of his craft. Schulte im Hofe, Vogel,
Kiesel, Pape, Bennewitz von Lofen and Else
Preussner (who is rather reminiscent of Whistler)
are also noteworthy, and Feriner-Behmer remains
the successful interpreter of female elegance and chic.
renowned masters like Bracht, Bohrdt, K. Lessing,
Hamacher, Langhammer and of younger favourites
like Hartig, Licht and Wendel. R. Eschke is
visibly rising, and some pupils of the Kallmorgen
School, like Ivocke, Tiircke and Wildhagen, arrest
attention by individual notes, the two former
especially, by careful draughtsmanship.
Genre paintings testify to the diversity in this
domain. The president of the Academy, Pro-
fessor Arthur Kampf, is again the vigorous
dramatist with a scene from Bajazzo’s family-life.
He works out his point by a subtle gradation of
tone, which becomes strongest where the catastrophe
is pending. His climax, however, is evolved with
231
We can sincerely welcome some landscapes of