DOI issue:
No. 198 (September, 1908)
DOI article:Studio-talk
DOI Page / Citation link: https://doi.org/10.11588/diglit.20967#0335
Studio-Talk
Mr. Allan Barraud gives
by a method of black-
and-white drawing which
is the artist’s secret, an
unusually skilful render-
ing of effect.
The Chapel of the As-
cension, Bayswater Road,
grows towards comple-
tion. Two large and three
small paintings have just
been added to its walls
from the hand of Mr.
Frederic Shields, being
the fruit of his past year’s labours.
The Great National Loan Exhibition, or the
Pageant of Old Masters as it has been called,
which is being organised with a view to augmenting
the National Gallery funds for the purchase of
works of art, and which is to be held at the
Grafton Galleries, promises to be as uniquely repre-
sentative as it should be. The committee includes
the Keepers of the National, the National Portrait
and Tate Galleries, theFirstCommissioner of Works,
the Vice-President of the International Society and
several members of the Royal Academy, besides
the Presidents of the Royal Scottish Academy, the
Royal Society of Painters in Water-colours and
the Royal Society of British Artists, the Officers
of the National Art Collections Fund and many
others.
We reproduce on this page three examples of
decorative work by Mr. George Rushton, principal
of the Ipswich School of Art. The two panels below
were worked in coloured relief, that of Bacchus
and the Nymph, in which the predominating colours
are blue and gold, being modelled upon a pro-
jecting surface and placed upon carved figures at
the end of a room in a private house; while the
other was executed for a passenger steamer’s
“ROMAN BOATS” (PANEL IN COLOURED RELIEF) BY GEORGE RUSHTON
3QI
Mr. Allan Barraud gives
by a method of black-
and-white drawing which
is the artist’s secret, an
unusually skilful render-
ing of effect.
The Chapel of the As-
cension, Bayswater Road,
grows towards comple-
tion. Two large and three
small paintings have just
been added to its walls
from the hand of Mr.
Frederic Shields, being
the fruit of his past year’s labours.
The Great National Loan Exhibition, or the
Pageant of Old Masters as it has been called,
which is being organised with a view to augmenting
the National Gallery funds for the purchase of
works of art, and which is to be held at the
Grafton Galleries, promises to be as uniquely repre-
sentative as it should be. The committee includes
the Keepers of the National, the National Portrait
and Tate Galleries, theFirstCommissioner of Works,
the Vice-President of the International Society and
several members of the Royal Academy, besides
the Presidents of the Royal Scottish Academy, the
Royal Society of Painters in Water-colours and
the Royal Society of British Artists, the Officers
of the National Art Collections Fund and many
others.
We reproduce on this page three examples of
decorative work by Mr. George Rushton, principal
of the Ipswich School of Art. The two panels below
were worked in coloured relief, that of Bacchus
and the Nymph, in which the predominating colours
are blue and gold, being modelled upon a pro-
jecting surface and placed upon carved figures at
the end of a room in a private house; while the
other was executed for a passenger steamer’s
“ROMAN BOATS” (PANEL IN COLOURED RELIEF) BY GEORGE RUSHTON
3QI