Studio: international art (59.1913)

Studio-Talk

places in Holland, whither he
was journeying when death over-
took him. Interesting landscapes
were also contributed by Anton
Novak, Adolf Wolf-Rotenhain—
a highly promising artist with a
special gift for figural landscapes
—Leonhard Schuler, Ludwig
Ehrenhaft, Ludwig Wieden, Adolf
Kaufmann, Alfred Milan, and
Hugo Charlemont. Gustav
Bohm’s themes were again
Flemish interiors, handled in a
sympathetic manner, the water-
colour Old Flemish Kitchen, here
reproduced, being a notable ex-
ample. Johann Viktor Kramer’s
pictures, chiefly figural, treat of
scenes and life in Morocco, which
he handles in a strong and virile
manner, but Carl Thuma’s
motives are all taken from his
native country Moravia, to which
he is warmly attached. Gottfried
Czermak, who arranged the various
rooms, showed some highly in-
teresting interiors and objects of
decorative art.

“OLD FLEMISH KITCHEN” (WATER-COLOUR) BY GUSTAV BOHM

(Kiinstlerhaus, Briinn)

Hans Frank has for the last
few years exhibited at the

VIENNA.—The
Spring Exhibi-
tion at the
Kiinstlerhaus
at Briinn was of more
than usual interest, con-
taining as it did a collec-
tion of pictures by that
fine artist Hugo Baar,
whose loss is so deeply
deplored. No artist was
more successful than he
in recording the beauties
of his native Moravia,
and in particular he ex-
celled in depicting the
country under a delicate
mantle of snow. Several
of these winter landscapes
of his were exhibited,
as well as scenes from
Volendam and other
322

“the apple-tree” (water-colour)

(Kiinstlerhaus, Briinn)

BY HUGO CHARLEMONT