DOI Heft:
No. 254 (June 1914)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.21210#0096
Studio-Talk
grandly suggestive, so
fecund in hitherto un-
known expressions, which
escapes from all his works."
This passage exactly illus-
trates the effect which I
have found created by
these works. Innocenti is
a colourist of the first rank,
whose works, even if they
suggest the influence of
Anglada (though Mancini
was actually his first direct
inspirer), are absolutely
and individually original.
Among the pictures just
exhibited The White Room
and the Black Ribbon re-
newed those cool Whist-
lerian silver-greys which we
noted at Rome in his
pictures of 1911; but in the
Pearl Dress, in which Mme.
"the winnowers" by carlo petrucci Innocenti is his model, in
the Emeralds, an Arabian
was entirely devoted to the paintings ot Camillo Nights motive, The Sultana, the Evening in Paris
Innocenti, an artist of whom we have seen little and Yellow Light, we had a series of works which,
at Rome during recent years—for Paris has now set in their dull gold frames against a background
claimed him. Gabriel Mourey wrote of him in of primrose yellow, were astonishing in their
Paris : " It may be that you are at first surprised, beauty and richness of colour.
almost disconcerted, by the lyrical passion of his -
language ; but I cannot believe that if you lend him In the sixth room one encountered the work of
a little attention you will be long before you Lionne, a colourist of no mean order, as his painting
are conquered by the new sonority of the vocabulary of a Trastevere Girl proved, the Venetian
which he uses, and attracted by the music, so Scattola, Frieseke, Grassi and Laurenzi. In Sala
grandly suggestive, so
fecund in hitherto un-
known expressions, which
escapes from all his works."
This passage exactly illus-
trates the effect which I
have found created by
these works. Innocenti is
a colourist of the first rank,
whose works, even if they
suggest the influence of
Anglada (though Mancini
was actually his first direct
inspirer), are absolutely
and individually original.
Among the pictures just
exhibited The White Room
and the Black Ribbon re-
newed those cool Whist-
lerian silver-greys which we
noted at Rome in his
pictures of 1911; but in the
Pearl Dress, in which Mme.
"the winnowers" by carlo petrucci Innocenti is his model, in
the Emeralds, an Arabian
was entirely devoted to the paintings ot Camillo Nights motive, The Sultana, the Evening in Paris
Innocenti, an artist of whom we have seen little and Yellow Light, we had a series of works which,
at Rome during recent years—for Paris has now set in their dull gold frames against a background
claimed him. Gabriel Mourey wrote of him in of primrose yellow, were astonishing in their
Paris : " It may be that you are at first surprised, beauty and richness of colour.
almost disconcerted, by the lyrical passion of his -
language ; but I cannot believe that if you lend him In the sixth room one encountered the work of
a little attention you will be long before you Lionne, a colourist of no mean order, as his painting
are conquered by the new sonority of the vocabulary of a Trastevere Girl proved, the Venetian
which he uses, and attracted by the music, so Scattola, Frieseke, Grassi and Laurenzi. In Sala