DOI Heft:
No. 255 (July 1914)
DOI Artikel:Levetus, A. S.: The spring exhibition at the Künstlerhaus, Vienna
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.21210#0130
Spring Exhibition at the Kiinstlerhaus, Henna
remarkable, one for the charm of feeling and
beauty of the inspiration, the latter for its remarkable
strength of treatment, the vigour of the brushwork
and the fine feeling for decorative effect. Gustav
Bohm's picture of Boskowitz gives us a glimpse of
a Moravian village, with all its characteristics and
mellowness of tone. His miniature sketch of the
Luxembourg Park in Paris was in its way a gem.
Ferdinand Brunner exhibited but one picture, a
work of great beauty and charm, the subject one of
those long, low lonely houses which he delights in
depicting. Of Stefan Simony's pictures of ancient
architecture in old streets that of Old Lovrana on
the Austrian Riviera is a fine example; it is
admirably drawn, and harmonious both in line and
colour. Karl Ludwig Prinz's Der Sterbendt Tag, a
tender and sincere representation of the dying day,
and Emanuel Baschny's Vor dem Geivitter, an emo-
tional rendering of an approaching storm, deserve
particular mention. Eduard Zetsche, Rudolf
Konopa, Richard Freiherr von 1 )rasche, Eduard
Ameseder, Alfred Zoff, Adolf Schwarz, Carl Kaiser-
Herbst, and Carl Onken, are other landscape painters
whose works added to the interest of the exhi-
bition.
Besides the painters above mentioned, there are
others whose work as displayed at the Kiinstler-
haus is worthy of remark, but space will only suffice
to mention a few names: Friedrich Beck, Hugo
Charlemont, Carl Fahringer, Alexander Goltz, Hans
Frank, Carl Fischer-Koystand, Leo Delitz, Ernst
Graner, and Albert Janesch (who exhibited for the
first time and whose Children of tin- Roman
Campagna, showed true psychological penetration),
Karl O'Lynch of Town, Heinrich Tomec, Erwin
Puchinger, Hans Ranzoni, Marie Arnsberg, and
Gustav A. Hessl ; also Isidor Kaufmann, whose
studies of Jewish types are full of energy and strength
ol purpose, and reveal a line poetical penetration.
Nor must Wilhelm Legler's interior pictures with
vistas of gardens with flowery beds beyond be
omitted ; virile in their pulsation of colour and
brushwork, they were decidedly attractive items in
the exhibition.
"sunday
110
in krancis Joseph's land, Vienna'1
Oil. PAINTING by anton ii. kaki.i nsky
remarkable, one for the charm of feeling and
beauty of the inspiration, the latter for its remarkable
strength of treatment, the vigour of the brushwork
and the fine feeling for decorative effect. Gustav
Bohm's picture of Boskowitz gives us a glimpse of
a Moravian village, with all its characteristics and
mellowness of tone. His miniature sketch of the
Luxembourg Park in Paris was in its way a gem.
Ferdinand Brunner exhibited but one picture, a
work of great beauty and charm, the subject one of
those long, low lonely houses which he delights in
depicting. Of Stefan Simony's pictures of ancient
architecture in old streets that of Old Lovrana on
the Austrian Riviera is a fine example; it is
admirably drawn, and harmonious both in line and
colour. Karl Ludwig Prinz's Der Sterbendt Tag, a
tender and sincere representation of the dying day,
and Emanuel Baschny's Vor dem Geivitter, an emo-
tional rendering of an approaching storm, deserve
particular mention. Eduard Zetsche, Rudolf
Konopa, Richard Freiherr von 1 )rasche, Eduard
Ameseder, Alfred Zoff, Adolf Schwarz, Carl Kaiser-
Herbst, and Carl Onken, are other landscape painters
whose works added to the interest of the exhi-
bition.
Besides the painters above mentioned, there are
others whose work as displayed at the Kiinstler-
haus is worthy of remark, but space will only suffice
to mention a few names: Friedrich Beck, Hugo
Charlemont, Carl Fahringer, Alexander Goltz, Hans
Frank, Carl Fischer-Koystand, Leo Delitz, Ernst
Graner, and Albert Janesch (who exhibited for the
first time and whose Children of tin- Roman
Campagna, showed true psychological penetration),
Karl O'Lynch of Town, Heinrich Tomec, Erwin
Puchinger, Hans Ranzoni, Marie Arnsberg, and
Gustav A. Hessl ; also Isidor Kaufmann, whose
studies of Jewish types are full of energy and strength
ol purpose, and reveal a line poetical penetration.
Nor must Wilhelm Legler's interior pictures with
vistas of gardens with flowery beds beyond be
omitted ; virile in their pulsation of colour and
brushwork, they were decidedly attractive items in
the exhibition.
"sunday
110
in krancis Joseph's land, Vienna'1
Oil. PAINTING by anton ii. kaki.i nsky