Studio-Talk
C- Pitt, Curator of the Walter’s Art Gallery
ln Baltimore, M. Gustave Huberdeau, operatic
arhst, and Mr. Joseph M. Fox, theatrical manager,
also have been subjects of the facile brush of
Mr. Rosenthal, most successful in the differentia-
tion of these various personalities. The collection
also comprised a number of engaging presentments
°f charming young American womanhood, among
which should be noted a portrait of Mercedes
fCilton, a highly keyed and freely painted study
in pink and white. E. C.
WASHINGTON.—At the Fifth Ex-
hibition of Oil Paintings by Con-
temporary American Artists, on
view at the Corcoran Gallery of
Art at Washington, D.C., from December 15,
1914, to January 24, 1915, the first W. A.
Clark Prize of two thousand dollars and the
Corcoran Gold Medal was awarded to Mr. J.
Alden Weir for his Portrait of Miss de L., the
second prize of one thousand five hundred dollars
with the Corcoran Silver Medal to Mr. Charles H.
Woodbury for his marine entitled The Rainbow,
the third, of one thousand dollars and the Bronze
Medal to Mr. Gifford Beal for his picture of the
congested foreign quarter of New York, The End
of the Street, the fourth, of five hundred dollars
with Honourable Mention, to Mr. Richard Blossom
Farley for a beautiful atmospheric study of the
New Jersey sea-shore, catalogued as Fog.
Three hundred and thirty works were shown in
the eight spacious galleries and adjacent corridors
that, with a handsome central Atrium of Grecian
design, go far towards the composition of a most
suitable building for such purposes. A number
of the works here exposed have already been
selected for the Panama-Pacific Exposition. Mr
E. W. Redfield’s Sleighing, Mr. Birge Harrison’s
Rose and Silver, Moo?irise, Mr. Bruce Crane’s
November Hillside, Mr. Farley’s prize picture Fog,
Mr. J Campbell Phillips’s The First Born, and
Miss Helen M. Turner’s Girl with a Lantern
have been purchased for the permanent Corcoran
Collection. Mr. Lawton Parker’s Portrait of Mrs.
Ray Atherton has been acquired by the Art
Institute of Chicago through purchase by the
C- Pitt, Curator of the Walter’s Art Gallery
ln Baltimore, M. Gustave Huberdeau, operatic
arhst, and Mr. Joseph M. Fox, theatrical manager,
also have been subjects of the facile brush of
Mr. Rosenthal, most successful in the differentia-
tion of these various personalities. The collection
also comprised a number of engaging presentments
°f charming young American womanhood, among
which should be noted a portrait of Mercedes
fCilton, a highly keyed and freely painted study
in pink and white. E. C.
WASHINGTON.—At the Fifth Ex-
hibition of Oil Paintings by Con-
temporary American Artists, on
view at the Corcoran Gallery of
Art at Washington, D.C., from December 15,
1914, to January 24, 1915, the first W. A.
Clark Prize of two thousand dollars and the
Corcoran Gold Medal was awarded to Mr. J.
Alden Weir for his Portrait of Miss de L., the
second prize of one thousand five hundred dollars
with the Corcoran Silver Medal to Mr. Charles H.
Woodbury for his marine entitled The Rainbow,
the third, of one thousand dollars and the Bronze
Medal to Mr. Gifford Beal for his picture of the
congested foreign quarter of New York, The End
of the Street, the fourth, of five hundred dollars
with Honourable Mention, to Mr. Richard Blossom
Farley for a beautiful atmospheric study of the
New Jersey sea-shore, catalogued as Fog.
Three hundred and thirty works were shown in
the eight spacious galleries and adjacent corridors
that, with a handsome central Atrium of Grecian
design, go far towards the composition of a most
suitable building for such purposes. A number
of the works here exposed have already been
selected for the Panama-Pacific Exposition. Mr
E. W. Redfield’s Sleighing, Mr. Birge Harrison’s
Rose and Silver, Moo?irise, Mr. Bruce Crane’s
November Hillside, Mr. Farley’s prize picture Fog,
Mr. J Campbell Phillips’s The First Born, and
Miss Helen M. Turner’s Girl with a Lantern
have been purchased for the permanent Corcoran
Collection. Mr. Lawton Parker’s Portrait of Mrs.
Ray Atherton has been acquired by the Art
Institute of Chicago through purchase by the