DOI Heft:
No. 284 (November 1916)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.24575#0104
Studio- Talk
one of the most interesting chapters in the whole combination, does not suggest easy possibilities,
history of Art. The Henry portrait, painted in one but the artist has a faculty for handling strong,
of the most luminous moods of the artist, is a aggressive colours, for shaking the dull, drabby,
matured expression, a realisation of perfection commonplace satisfaction out of one.
in harmony. The effect is like a mirrored reflec- -
tion of purest and most rarely combined colours, The art of Lucien Simon is becoming well
with an exquisite note of blue predominant, known in Glasgow: he positively startles with Les
Outside the loaned section portraiture is for the Carrioles in point of scale, exuberant colour, and
most part undistinguished. animation. The power and vivacity introduced
- into this Breton group of devotees making their
From time to time Mr. F. C. B. Cadell has way along the straight road are amazing, the
contributed to the Institute exhibitions striking bright tints in the sartorial arrangements quite
studies in a sketchy style. This year his Lady exhilarating; but it discounts all adjacent art :
with a Black Hat is positively arresting : it domi- Simon art requires a gallery for itself. Mr. William
nates a big gallery from every point. The artist Walls, R.S.A., is sincere as an animal painter;
here concentrates on essentials, trivialities of detail his Mountain Dwellers {Snow Leopards), in native
are altogether ignored, there is vigorous handling, environment, is a striking example of an art pur-
harmonious phrasing, free brush-work, with a sued with uninterrupted fidelity. After an interval
general effect abundantly pleasing and exhilarating, of unaccountable abstention, Mr. William Wells
In The Lady of the Carnation, Mr. Newbery has is again represented by one of those clear, sparkling,
essayed one of those daring colour experiments open-air transcriptions that come as naturally from
he invariably carries to success. A Whistlerian his palette as a love song from a lyrical singer,
composition, with an intense emerald and grey In the interval the artist seems to have modified
1L- V3* > wf* . »
MOUNTAIN DWELLERS (SNOW LEOPARDS) " BY WILLIAM WALLS, R.S.A.
( Glasgow Fine A rts Institute)
96
one of the most interesting chapters in the whole combination, does not suggest easy possibilities,
history of Art. The Henry portrait, painted in one but the artist has a faculty for handling strong,
of the most luminous moods of the artist, is a aggressive colours, for shaking the dull, drabby,
matured expression, a realisation of perfection commonplace satisfaction out of one.
in harmony. The effect is like a mirrored reflec- -
tion of purest and most rarely combined colours, The art of Lucien Simon is becoming well
with an exquisite note of blue predominant, known in Glasgow: he positively startles with Les
Outside the loaned section portraiture is for the Carrioles in point of scale, exuberant colour, and
most part undistinguished. animation. The power and vivacity introduced
- into this Breton group of devotees making their
From time to time Mr. F. C. B. Cadell has way along the straight road are amazing, the
contributed to the Institute exhibitions striking bright tints in the sartorial arrangements quite
studies in a sketchy style. This year his Lady exhilarating; but it discounts all adjacent art :
with a Black Hat is positively arresting : it domi- Simon art requires a gallery for itself. Mr. William
nates a big gallery from every point. The artist Walls, R.S.A., is sincere as an animal painter;
here concentrates on essentials, trivialities of detail his Mountain Dwellers {Snow Leopards), in native
are altogether ignored, there is vigorous handling, environment, is a striking example of an art pur-
harmonious phrasing, free brush-work, with a sued with uninterrupted fidelity. After an interval
general effect abundantly pleasing and exhilarating, of unaccountable abstention, Mr. William Wells
In The Lady of the Carnation, Mr. Newbery has is again represented by one of those clear, sparkling,
essayed one of those daring colour experiments open-air transcriptions that come as naturally from
he invariably carries to success. A Whistlerian his palette as a love song from a lyrical singer,
composition, with an intense emerald and grey In the interval the artist seems to have modified
1L- V3* > wf* . »
MOUNTAIN DWELLERS (SNOW LEOPARDS) " BY WILLIAM WALLS, R.S.A.
( Glasgow Fine A rts Institute)
96