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Studio: international art — 81.1921

DOI Heft:
No. 337 (April 1921)
DOI Artikel:
Studio-talk
DOI Seite / Zitierlink: 
https://doi.org/10.11588/diglit.21392#0180

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STUDIO-TALK

" MAMMOTH COVE." BY
WILLIAM RITSCHEL

(Pennsylvania Academy)

coat, and one of the most remarkable
portraits that have been seen here for a
long time ; the latter signally honoured
by immediate invitation, exempt, to two
of our leading American expositions to
follow the Academy's Annual—those of
the Art Museums of Toledo, Ohio, and
Detroit, Michigan, a a a 0

While all the prices to be awarded had
not been announced when these notes
were written, Mr. Leopold Seyffert's
painting of the nude, styled simply
A Model, received the Temple Gold
Medal; Mr. George Bellow's portrait
group, Eleanor, Joan and Anna, was
awarded the Carol H. Beck Gold Medal;
the Jennie Sesnan Gold Medal went to

164

Mr. Charles Morris Young for his marine,
Wind on the Sound ; the Walter Lippincott
Prize to Mr. Irving Couse for his Indian
picture, Chant to the Rain God; the
George D. Widener Memorial Gold Medal
for sculpture was awarded to a life-size
bronze nude by Miss Evelyn B. Longman,
entitled The Future; the Mary Smith
prize for women painters was awarded
to Miss Katherine Patton for her land-
scape, Deep in the Woods. 000
Portraits abounded, many of them of
people prominent in American public
life, others whose only claim to attention
was pictorial. In the former class should
be mentioned Mr. Wayman Adams's
portrait of Edward W. Redfield, the land-
 
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