DOI Kapitel:
Painters, Sculptors, Architects, Engravers, and their Works
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.61295#0213
CARRACCI.
191
Engraver, Lasne, Michael. The Visitation of the Virgin.
Engraver, Lorenzini, Fra Antonio. The Ascension.
Engraver, Mattioli, Ludovico. The Annunciation; scarce. The
Circumcision.
Engraver, Morin, John. The Virgin, with the Dead Christ.
Engraver, Pasquilini, Gio. Batista. S. Felix kneeling before
the Virgin and Child.
Engraver, Pitau, Nicholas. The Entombing of Christ.
Engraver, Podesta, Andrea. Two Subjects from the Life of S.
Diego.
Engraver, Poilly, Francis the Elder. The Dead Christ on the
Lap of the Virgin at the foot of the Cross.
Engraver, Rossi, Girolamo, called De Rubeis the Elder. The
Virgin and Child, with SS. Jerome and Francis, inscribed Hieroni-
mus de Rubeis piclor, delineavit incidit.
Engraver, Scaramuccia, Luigi. S. Benedict praying.
Engraver, Schulze, John Gotfried. The Head of Christ.
Engraver, Simoneau, Charles. The Stoning of Stephen.
Engraver, Torre, Flaminio. The Virgin and Child with SS.
Francis and Jerome; very fine.
Engraver, Traballesi, Giulio. Conversion of S. Paul.
Carracci, Agostino, born at Bologna (1558-1602). A man of
poetic temperament and superior education. In the school he super-
intended the theoretical instruction. His pictures are rare, and the
most important one is the “ Communion of S. Jerome,” now in the
Gall, of Bologna. The “ Infant Hercules ” in the Louvre has been at-
tributed to Annibale, but belongs to Agostino Carracci. There is no
doubt that the advice and suggestion of Agostino had much to do
with the works of Annibale, especially in his mythological pictures,
for the latter had not sufficient knowledge to have guided him in
these undertakings. But Agostino is chiefly famous as an engraver,
and is one of the most celebrated Italians in that art. His plates are
very numerous. The heads are admirable, and the extremities are
worked with the greatest care. His instructor was Cornelius Cort,
and his manner is bold and free like that of his master. He seems
to have used the graver entirely.
ENGRAVINGS AFTER THE WORKS OF AGOSTINO CARRACCI.
Engraver, Bartolozzi, Francesco. The Adulteress before Christ.
Engraver, Brizzio or Briccio, Francesco. The great S. Jerome;
the plate left imperfect by Carracci, and finished by Brizzio. Christ
and the Samaritan Woman; 1610.
Principal Plates by himself, after his own Designs, Portraits and other
Subjects.
Agostino Carracci.
Antonio Carracci, his father; very scarce.
191
Engraver, Lasne, Michael. The Visitation of the Virgin.
Engraver, Lorenzini, Fra Antonio. The Ascension.
Engraver, Mattioli, Ludovico. The Annunciation; scarce. The
Circumcision.
Engraver, Morin, John. The Virgin, with the Dead Christ.
Engraver, Pasquilini, Gio. Batista. S. Felix kneeling before
the Virgin and Child.
Engraver, Pitau, Nicholas. The Entombing of Christ.
Engraver, Podesta, Andrea. Two Subjects from the Life of S.
Diego.
Engraver, Poilly, Francis the Elder. The Dead Christ on the
Lap of the Virgin at the foot of the Cross.
Engraver, Rossi, Girolamo, called De Rubeis the Elder. The
Virgin and Child, with SS. Jerome and Francis, inscribed Hieroni-
mus de Rubeis piclor, delineavit incidit.
Engraver, Scaramuccia, Luigi. S. Benedict praying.
Engraver, Schulze, John Gotfried. The Head of Christ.
Engraver, Simoneau, Charles. The Stoning of Stephen.
Engraver, Torre, Flaminio. The Virgin and Child with SS.
Francis and Jerome; very fine.
Engraver, Traballesi, Giulio. Conversion of S. Paul.
Carracci, Agostino, born at Bologna (1558-1602). A man of
poetic temperament and superior education. In the school he super-
intended the theoretical instruction. His pictures are rare, and the
most important one is the “ Communion of S. Jerome,” now in the
Gall, of Bologna. The “ Infant Hercules ” in the Louvre has been at-
tributed to Annibale, but belongs to Agostino Carracci. There is no
doubt that the advice and suggestion of Agostino had much to do
with the works of Annibale, especially in his mythological pictures,
for the latter had not sufficient knowledge to have guided him in
these undertakings. But Agostino is chiefly famous as an engraver,
and is one of the most celebrated Italians in that art. His plates are
very numerous. The heads are admirable, and the extremities are
worked with the greatest care. His instructor was Cornelius Cort,
and his manner is bold and free like that of his master. He seems
to have used the graver entirely.
ENGRAVINGS AFTER THE WORKS OF AGOSTINO CARRACCI.
Engraver, Bartolozzi, Francesco. The Adulteress before Christ.
Engraver, Brizzio or Briccio, Francesco. The great S. Jerome;
the plate left imperfect by Carracci, and finished by Brizzio. Christ
and the Samaritan Woman; 1610.
Principal Plates by himself, after his own Designs, Portraits and other
Subjects.
Agostino Carracci.
Antonio Carracci, his father; very scarce.