fcn DESCRIPTION OF THE WOODCUTS.
No. Page
116. Panels, and recesses in the thickness of the wall . . . . 150
117. Five of the orders of columns....... 151
117 a. The three other orders........ 152
118. The polygonal column taken from the square pillar . . . 153
119. Origin of the clustered water-plant column, from the water-plant
painted, and afterwards sculptured in high relief, on the square
pillar (fig. 1) . . . ....... 154
120. A feather-like capital, taken also from a plant represented in the
paintings, and often made of glazed pottery . . . .155
121. Water-plants, typical of Upper and Lower Egypt. Figs. 3, 4, have
beneath them the circular hieroglyphic signifying "land" . . 155
122. Origin of the Doric capital....... 156
123. Origin of the Ionic capital. Fig. 3, the volute ornament often
attached to the figure of Astarte, the Phoenician Venus . . 157
124. Origin of the basket capital, which led to the Corinthian . . 158
125. Egyptian triglyphs, on the cornice ... . . 158
126. Goose and sun and zig-zag of Egypt, on oldest Greek vases . . 158
127. Fig. 1, Greek harpy, taken from the Egyptian soul, figs. 2, 3 . 159
12S. Medusa and the Typhonian monster of Egypt .... 159
No. Page
116. Panels, and recesses in the thickness of the wall . . . . 150
117. Five of the orders of columns....... 151
117 a. The three other orders........ 152
118. The polygonal column taken from the square pillar . . . 153
119. Origin of the clustered water-plant column, from the water-plant
painted, and afterwards sculptured in high relief, on the square
pillar (fig. 1) . . . ....... 154
120. A feather-like capital, taken also from a plant represented in the
paintings, and often made of glazed pottery . . . .155
121. Water-plants, typical of Upper and Lower Egypt. Figs. 3, 4, have
beneath them the circular hieroglyphic signifying "land" . . 155
122. Origin of the Doric capital....... 156
123. Origin of the Ionic capital. Fig. 3, the volute ornament often
attached to the figure of Astarte, the Phoenician Venus . . 157
124. Origin of the basket capital, which led to the Corinthian . . 158
125. Egyptian triglyphs, on the cornice ... . . 158
126. Goose and sun and zig-zag of Egypt, on oldest Greek vases . . 158
127. Fig. 1, Greek harpy, taken from the Egyptian soul, figs. 2, 3 . 159
12S. Medusa and the Typhonian monster of Egypt .... 159