DOI Heft:
Nr. 153 (November 1909)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.19868#0133
Studio- Talk
michael. During the year
the society has considered
various matters with a
view to improving the
exhibition, and as one of
the results issued a splen-
didly designed catalogue
which did much to popu-
larise the exhibition.
The President, Mr.
McCubbin, showed
several very poetic can-
vases, the result of his
recent tour to Europe.
His Moonrise and Whiter
Sunlight were quite the
best things in the exhibi-
wintbr sunlight " »Y MeCDSBIN tion _ charmi„g alike in
colour and composition.
almost architectural quality, impresses one in all the Mr. Walter Withers had many fine >U*«P«-
*°*of this artist: and when added to this one mostly transcripts of Eltham scenery Hts S/^
largeness and breadth of scale and purity and Gums has been purchased by the Na tonal^GaUery
*** of colour one feels that here, more than of Victoria under the terms °f *e *clton Buj,est
^nunonly, is the full equipment of the painter. Mr. Ford Paterson and Mr. Mathers showed
As a Western woman, Mrs. Richardson's work has usual characteristic work in landscape-. u.
^eloped under conditions of singular isolation, canvas by the latter being Evenmg, Erskme A m
old idea, encountered even to-day, that Lome. W. N. Anderson, one of the youngei
California is mysteriously separate from the United landscapists, showed a distinct advance in Morntng,
^8, had some basis of truth. The Chinese wall Kangaroo Ground-* large atmospheric canvas.
of the Rocky Mountains
011 the east and the Pacific
°n the west did until
recently constitute Cali-
for»ia "a garden inclosed,"
*W the artist has de-
J^oped alone and unin-
fluenced, save by natural
conditions comparable
°% to Spain or Italy.
i>s art - isolation is a
lhl"g of the past, but that
11 Nvas not hostile to the
opening of talent the work
01 Mary Curtis Richardson
goes to she
10w. G. A.
EL BOURNE.
'—The annual
exhibition of
Artjg l'le Victorian
M
opened S°°iety Was
Su' Th °" l6th ju,y' hy
°mas Gibson Car- "evening, erskine river, lorne" hy j. mathers
79
michael. During the year
the society has considered
various matters with a
view to improving the
exhibition, and as one of
the results issued a splen-
didly designed catalogue
which did much to popu-
larise the exhibition.
The President, Mr.
McCubbin, showed
several very poetic can-
vases, the result of his
recent tour to Europe.
His Moonrise and Whiter
Sunlight were quite the
best things in the exhibi-
wintbr sunlight " »Y MeCDSBIN tion _ charmi„g alike in
colour and composition.
almost architectural quality, impresses one in all the Mr. Walter Withers had many fine >U*«P«-
*°*of this artist: and when added to this one mostly transcripts of Eltham scenery Hts S/^
largeness and breadth of scale and purity and Gums has been purchased by the Na tonal^GaUery
*** of colour one feels that here, more than of Victoria under the terms °f *e *clton Buj,est
^nunonly, is the full equipment of the painter. Mr. Ford Paterson and Mr. Mathers showed
As a Western woman, Mrs. Richardson's work has usual characteristic work in landscape-. u.
^eloped under conditions of singular isolation, canvas by the latter being Evenmg, Erskme A m
old idea, encountered even to-day, that Lome. W. N. Anderson, one of the youngei
California is mysteriously separate from the United landscapists, showed a distinct advance in Morntng,
^8, had some basis of truth. The Chinese wall Kangaroo Ground-* large atmospheric canvas.
of the Rocky Mountains
011 the east and the Pacific
°n the west did until
recently constitute Cali-
for»ia "a garden inclosed,"
*W the artist has de-
J^oped alone and unin-
fluenced, save by natural
conditions comparable
°% to Spain or Italy.
i>s art - isolation is a
lhl"g of the past, but that
11 Nvas not hostile to the
opening of talent the work
01 Mary Curtis Richardson
goes to she
10w. G. A.
EL BOURNE.
'—The annual
exhibition of
Artjg l'le Victorian
M
opened S°°iety Was
Su' Th °" l6th ju,y' hy
°mas Gibson Car- "evening, erskine river, lorne" hy j. mathers
79