110 PUNCH, OR THE LONDON CHARIVARI. [September 8, 1888.
ISRAEL AND EGYPT; OR. TURNING THE TABLES.
The Children of Israel multiplied so as to excite the jealous fears of the Egyptians. . . . They were therefore organised into gangs under task-
masters, as we see in the vivid pictures of the monuments, to work upon the puhlic edifices. ' And the Egyptians made the Children of Israel to serve
with rigour. And they made their lives bitter with hard bondage in mortar and in brick, and in all manner of service in the field.' "—Smith's
Ancient History. " The Sweater is probably a Jew, and, if so, he has the gift of organisation, and an extraordinary power of subordinating everything
—humanity, it may be, included—to the great end of getting on. . . . The conditions of life in East London ruin the Christian labourer, and leave the
Jewish labourer unharmed."—" Spectator "on" Sweaters and Jews."
The screed of the Shade of the Poei Pentaotje, to PuNCHTUS that came, ******
Even Pektaoub Bard unto Phabaoh, the singer whose song was as The form was the form of the Phaeaoh, as "Whkeksoit shows him
flame; _ he stood,—
The pupil of mild Ameneman, he painted the lot of the poor [door. The pose was exceedingly proud, the perspective, perchance, was not
In the far distant days of Rameses, who shut on sweet Mercy the good,—
ISRAEL AND EGYPT; OR. TURNING THE TABLES.
The Children of Israel multiplied so as to excite the jealous fears of the Egyptians. . . . They were therefore organised into gangs under task-
masters, as we see in the vivid pictures of the monuments, to work upon the puhlic edifices. ' And the Egyptians made the Children of Israel to serve
with rigour. And they made their lives bitter with hard bondage in mortar and in brick, and in all manner of service in the field.' "—Smith's
Ancient History. " The Sweater is probably a Jew, and, if so, he has the gift of organisation, and an extraordinary power of subordinating everything
—humanity, it may be, included—to the great end of getting on. . . . The conditions of life in East London ruin the Christian labourer, and leave the
Jewish labourer unharmed."—" Spectator "on" Sweaters and Jews."
The screed of the Shade of the Poei Pentaotje, to PuNCHTUS that came, ******
Even Pektaoub Bard unto Phabaoh, the singer whose song was as The form was the form of the Phaeaoh, as "Whkeksoit shows him
flame; _ he stood,—
The pupil of mild Ameneman, he painted the lot of the poor [door. The pose was exceedingly proud, the perspective, perchance, was not
In the far distant days of Rameses, who shut on sweet Mercy the good,—
Werk/Gegenstand/Objekt
Titel
Titel/Objekt
Israel and Egypt; or, turning the tables
Weitere Titel/Paralleltitel
Serientitel
Punch
Sachbegriff/Objekttyp
Inschrift/Wasserzeichen
Aufbewahrung/Standort
Aufbewahrungsort/Standort (GND)
Inv. Nr./Signatur
H 634-3 Folio
Objektbeschreibung
Maß-/Formatangaben
Auflage/Druckzustand
Werktitel/Werkverzeichnis
Herstellung/Entstehung
Künstler/Urheber/Hersteller (GND)
Entstehungsdatum
um 1888
Entstehungsdatum (normiert)
1883 - 1893
Entstehungsort (GND)
Auftrag
Publikation
Fund/Ausgrabung
Provenienz
Restaurierung
Sammlung Eingang
Ausstellung
Bearbeitung/Umgestaltung
Thema/Bildinhalt
Thema/Bildinhalt (GND)
Literaturangabe
Rechte am Objekt
Aufnahmen/Reproduktionen
Künstler/Urheber (GND)
Reproduktionstyp
Digitales Bild
Rechtsstatus
Public Domain Mark 1.0
Creditline
Punch, 95.1888, September 8, 1888, S. 110
Beziehungen
Erschließung
Lizenz
CC0 1.0 Public Domain Dedication
Rechteinhaber
Universitätsbibliothek Heidelberg