FATHER MATHEWS POLLY-PUT-
IT is not generally known that funds are at this moment being
raised for the erection of a Temperance Hall, to be called The
Polly put the kettle on icon, to be devoted to Father Mathew on
his return next year to London. The father proposes to give a series
of lectures, illustrative of the loveliness of Temperance and the
horrors of drunkenness ; to do this, he will take a drop of gin and
water understand us, not mixed—in which he will show the separate
rewards of sobriety and intoxication.
Our readers will remember that, a short time since, a certain Pro-
fessor, by means of the Solar Microscope, showed—and shocked by
showing the good people of London the monsters that inhabit a
single drop of water. We witnessed with horror the exhibition,
which we verily believe sent dow/i the New River shares for some
time fifty per cent. ; for in one drop of what we thought pare iiuid,; be a few of the glories of the Water-Drop—and only a few.
we saw, revealed by the microscope, insects large as lobsters, and
a thousand times more ugly ; creatures with claws—attorneys of
the water-butt, devouring their smaller brethren. That little drop
of water, like England, seemed absolutely borne down by over-
population.
Well, thought we, Father Mathew, by his microscope, will show
a Drop of Water after another fashion. In that shall we behold
mermaids, beautiful as angels, with a wedding-ring in one hand, and
a hundred-pound-note in another : bags of money, swimming about
with fins, like the fins of gold-fish, to them. Then shall we see the
happy family of a mechanic, his wife, and ten children (four in red
morocco shoes), at tea, with a handsome silver watch upon the table,
and all the volumes of Punch upon the book-shelf! And these wili
IT is not generally known that funds are at this moment being
raised for the erection of a Temperance Hall, to be called The
Polly put the kettle on icon, to be devoted to Father Mathew on
his return next year to London. The father proposes to give a series
of lectures, illustrative of the loveliness of Temperance and the
horrors of drunkenness ; to do this, he will take a drop of gin and
water understand us, not mixed—in which he will show the separate
rewards of sobriety and intoxication.
Our readers will remember that, a short time since, a certain Pro-
fessor, by means of the Solar Microscope, showed—and shocked by
showing the good people of London the monsters that inhabit a
single drop of water. We witnessed with horror the exhibition,
which we verily believe sent dow/i the New River shares for some
time fifty per cent. ; for in one drop of what we thought pare iiuid,; be a few of the glories of the Water-Drop—and only a few.
we saw, revealed by the microscope, insects large as lobsters, and
a thousand times more ugly ; creatures with claws—attorneys of
the water-butt, devouring their smaller brethren. That little drop
of water, like England, seemed absolutely borne down by over-
population.
Well, thought we, Father Mathew, by his microscope, will show
a Drop of Water after another fashion. In that shall we behold
mermaids, beautiful as angels, with a wedding-ring in one hand, and
a hundred-pound-note in another : bags of money, swimming about
with fins, like the fins of gold-fish, to them. Then shall we see the
happy family of a mechanic, his wife, and ten children (four in red
morocco shoes), at tea, with a handsome silver watch upon the table,
and all the volumes of Punch upon the book-shelf! And these wili
Werk/Gegenstand/Objekt
Titel
Titel/Objekt
Father Mathew's Polly--Put--the--Kettle--on--Icon
Weitere Titel/Paralleltitel
Serientitel
Punch or The London charivari
Sachbegriff/Objekttyp
Inschrift/Wasserzeichen
Aufbewahrung/Standort
Aufbewahrungsort/Standort (GND)
Inv. Nr./Signatur
H 634-3 Folio
Objektbeschreibung
Objektbeschreibung
Bildbeschriftung: The water drop
Maß-/Formatangaben
Auflage/Druckzustand
Werktitel/Werkverzeichnis
Herstellung/Entstehung
Künstler/Urheber/Hersteller (GND)
Entstehungsdatum
um 1843
Entstehungsdatum (normiert)
1838 - 1848
Entstehungsort (GND)
Auftrag
Publikation
Fund/Ausgrabung
Provenienz
Restaurierung
Sammlung Eingang
Ausstellung
Bearbeitung/Umgestaltung
Thema/Bildinhalt
Thema/Bildinhalt (GND)
Literaturangabe
Rechte am Objekt
Aufnahmen/Reproduktionen
Künstler/Urheber (GND)
Reproduktionstyp
Digitales Bild
Rechtsstatus
Public Domain Mark 1.0
Creditline
Punch or The London charivari, 5.1843, S. 220
Beziehungen
Erschließung
Lizenz
CC0 1.0 Public Domain Dedication
Rechteinhaber
Universitätsbibliothek Heidelberg