Inhalt

• Einband
• Schmutztitel
• Titelblatt
• Index to volume V
• No. 25 (April, 1895) DOI
  • 2-8 Bates, Dewey: George Clausen DOI
  • 8-15 On some drawings by Tony Grubhofer DOI
  • 15-21 Scott, Mackay H. Baillie: The decoration of the suburban house DOI
  • 21-22 Martin, David: "The Kelpie": a painting by T. Millie Dow DOI
  • 22-26 Wedmore, Frederick: The Royal Society of Painter-Etchers DOI
  • 26-31 Fenn, W. W.: The South Downs as a sketching ground DOI
  • 32-39 Briant, Rowland: Snow as a subject for the camera DOI
  • 39-40 Occasional notes DOI
• No. 26 (May, 1895) DOI
  • 43-51 Singer, Hans Wolfgang: Max Klinger DOI
  • 51-56 White, Gleeson: The garden and its art, with especial reference to the paintings of G. S. Elgood DOI
  • 56-63 S., E. B.: Some aspects of the work of Miss Mary L. Newill DOI
  • 63-67 Logan, Mary: On a recent criticism of the works of Lorenzo Lotto DOI
  • 67-74 The new "Magpie and Stump": a successful experiment in domestic architecture DOI
  • 74-78 A Japanese course of instruction in woodcarving, [1] DOI
• No. 27 (June 1895) DOI
  • 80-86 Pennell, Joseph: Dalmatia as a sketching ground DOI
  • 86-90 Mourey, Gabriel: Some reflections on art at the Champ de Mars DOI
  • 90-95 S., E. B.: Afternoons in studios: Henry Scott Tuke at Falmouth DOI
  • 96-100 W., G.: Some more dry-points by M. Helleu DOI
  • 100-104 Wedmore, Frederick: The art of the pastellist DOI
  • 104-110 Baldry, Alfred Lys: The Manchester School of Art DOI
  • 110-112 Grier, Louis: A painters' club DOI
  • 112-114 From gallery and studio DOI
  • 114-116 A Japanese course of instruction in woodcarving, [2] DOI
• No. 28 (July, 1895) DOI
  • 118-124 Wedmore, Frederick: Some portraits seen this season DOI
  • 124-128 Sharp, Herbert: On some sketches by Briton Riviere DOI
  • 128-140 W., G.: The Manchester arts and crafts: second exhibition$nElektronische Ressource DOI
  • 140-146 Charlton, Edward William: Letters to artists, Ringwood as a sketching ground DOI
  • 146-150 S., E. B.: A new book illustrator: Charles Robinson DOI
  • 150-152 Mourey, Gabriel: The Salon of the Champs-Elysées DOI
  • 152-154 A Japanese course of instruction in wood-carving, [3] DOI
• No. 29 (August, 1895) DOI
  • 157-167 Hiatt, Charles T. J.: The art of Boutet de Monvel DOI
  • 167-174 The Home Arts and Industries Association, at the Albert Hall DOI
  • 174-181 Richards, Frank: Newyln as a sketching ground DOI
  • 181-185 Stencilled fabrics for decorative wall hangings DOI
  • 185-190 White, Gleeson: The making of monograms DOI
  • 190-192 A Japanese course of instruction in wood-carving DOI
• No. 30 (September, 1895) DOI
  • 195-200 The etchings of Mr. D. Y. Cameron DOI
  • 200-209 Goodhue, Bertram Grosvenor: Quebec as a sketching ground DOI
  • 209-214 S., E. B.: A painter in the arctic regions: an interview with Mr. Frank Wilbert Stokes DOI
  • 215-216 Fish, Arthur: Another word on the poster DOI
  • 219-221 Occasional Notes DOI
  • 221-224 A Japanese course of instruction in wood-carving, [5] DOI
• I-LVIII The editor's room DOI
• Maßstab/Farbkeil