Heidelberger historische Bestände – digital
Startseite
Digitale Bibliothek
Heidelberger historische Bestände – digital
Studio: international art
Metadaten
Überblick
Faksimile
OCR-Volltext
Toggle Dropdown
Bildbezüge anzeigen
Immer
Standard
Nie
Vollansicht
Merkliste
0
Login
Seite
Seite:
80
Download Band
normal, 176 MB
groß, 570 MB
Download Seite
PDF
JPEG
Drucken
Seite drucken
Metadaten
Studio: international art
— 5.1895
Zitieren dieser Seite
×
Schließen
Bitte zitieren Sie diese Seite, indem Sie folgende Adresse (URL)/folgende DOI benutzen:
https://doi.org/10.11588/diglit.17294#0096
DOI Heft:
No. 27 (June 1895)
https://doi.org/10.11588/diglit.17294.17
DOI Artikel:
Pennell, Joseph: Dalmatia as a sketching ground
https://doi.org/10.11588/diglit.17294.18
DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.17294#0096
Startseite des Bandes
Alle zugehörigen Werke
art journals – Kunst- und Satirezeitschriften
art journals – Kunst- und Satirezeitschriften
Informationen zur Zeitschrift
Nutzung/Bestellung
Inhaltsverz. u. Volltextsuche
Inhalt
Volltextsuche
Einband
Schmutztitel
Titelblatt
Index to volume V
No. 25 (April, 1895)
Bates, Dewey: George Clausen
On some drawings by Tony Grubhofer
Scott, Mackay H. Baillie: The decoration of the suburban house
Martin, David: "The Kelpie": a painting by T. Millie Dow
Wedmore, Frederick: The Royal Society of Painter-Etchers
Fenn, W. W.: The South Downs as a sketching ground
Briant, Rowland: Snow as a subject for the camera
Occasional notes
No. 26 (May, 1895)
Singer, Hans Wolfgang: Max Klinger
White, Gleeson: The garden and its art, with especial reference to the paintings of G. S. Elgood
S., E. B.: Some aspects of the work of Miss Mary L. Newill
Logan, Mary: On a recent criticism of the works of Lorenzo Lotto
The new "Magpie and Stump": a successful experiment in domestic architecture
A Japanese course of instruction in woodcarving, [1]
No. 27 (June 1895)
Pennell, Joseph: Dalmatia as a sketching ground
Mourey, Gabriel: Some reflections on art at the Champ de Mars
S., E. B.: Afternoons in studios: Henry Scott Tuke at Falmouth
W., G.: Some more dry-points by M. Helleu
Wedmore, Frederick: The art of the pastellist
Baldry, Alfred Lys: The Manchester School of Art
Grier, Louis: A painters' club
From gallery and studio
A Japanese course of instruction in woodcarving, [2]
No. 28 (July, 1895)
Wedmore, Frederick: Some portraits seen this season
Sharp, Herbert: On some sketches by Briton Riviere
W., G.: The Manchester arts and crafts: second exhibition$nElektronische Ressource
Charlton, Edward William: Letters to artists, Ringwood as a sketching ground
S., E. B.: A new book illustrator: Charles Robinson
Mourey, Gabriel: The Salon of the Champs-Elysées
A Japanese course of instruction in wood-carving, [3]
No. 29 (August, 1895)
Hiatt, Charles T. J.: The art of Boutet de Monvel
The Home Arts and Industries Association, at the Albert Hall
Richards, Frank: Newyln as a sketching ground
Stencilled fabrics for decorative wall hangings
White, Gleeson: The making of monograms
A Japanese course of instruction in wood-carving
No. 30 (September, 1895)
The etchings of Mr. D. Y. Cameron
Goodhue, Bertram Grosvenor: Quebec as a sketching ground
S., E. B.: A painter in the arctic regions: an interview with Mr. Frank Wilbert Stokes
Fish, Arthur: Another word on the poster
Occasional Notes
A Japanese course of instruction in wood-carving, [5]
The editor's room
Maßstab/Farbkeil
Überblick
Faksimile
0.5
1 cm
Vollansicht
OCR-Volltext
Hinweise zum OCR-Text
"MOONLIGHT NIGHT IN
RAGUSA HARBOUR." BY
JOSEPH PENNELL
Annotationen
Feedback
×
Schließen
Wir freuen uns über Ihre Fragen und Anregungen.
Absender
Feedback
Letzte Aktualisierung 08.07.2024 © Universitätsbibliothek Heidelberg
Impressum