DOI article:
Hanáková, Petra: Teoretická kritika (modernistického) múzea umenia - exemplárny terč newyorské MoMA (The Museum of Modern Art)
DOI Page / Citation link:https://doi.org/10.11588/diglit.51725#0239
illustrate) a narrow and reciprocal connection between
a museum and the history of art (and between the changes
in the framework of the museum and the changes in the
framework of art history).
The similar mirror-like relation can be identified be-
tween writing (and current re-writing) of art history through
texts of art historians and art history writing by means of
exhibitions and revisionist arrangement of objects in the
exposition. In other words, the exhibition making has also
its phase of new art history, and the end of (traditional and
teleological) history of art has its exhibition parallel. This
parallel in the context of current muséums of art is the end
of the permanent exhibition. New Grand Narratives in East-
Central European Art History?
233
a museum and the history of art (and between the changes
in the framework of the museum and the changes in the
framework of art history).
The similar mirror-like relation can be identified be-
tween writing (and current re-writing) of art history through
texts of art historians and art history writing by means of
exhibitions and revisionist arrangement of objects in the
exposition. In other words, the exhibition making has also
its phase of new art history, and the end of (traditional and
teleological) history of art has its exhibition parallel. This
parallel in the context of current muséums of art is the end
of the permanent exhibition. New Grand Narratives in East-
Central European Art History?
233